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Daniel M. Gold

Film Critic

United States

One and Two (2015)

Publish Date: August 13, 2019
"The film tries, unsuccessfully, to walk the same eerie, atmospheric trail as 'The Village' by M. Night Shyamalan, or any number of Stephen King works."

The New York Times
No Dress Code Required (2016)

Publish Date: November 2, 2017
"'No Dress Code Required' chronicles the grudging advance of cultural change."

The New York Times
Aida's Secrets (2016)

Publish Date: October 19, 2017
"The remarkable tale it tells (...) turns this documentary into a fascinating mystery of reshuffled identities."

The New York Times
Pearl Jam: Let's Play Two (2017)

Publish Date: September 28, 2017
"[It] provides neither as complete a Pearl Jam concert as 'Touring Band 2000' nor as illuminating a band history as Cameron Crowe’s 'Pearl Jam Twenty'. But it shares a side of Mr. Vedder his fans will enjoy"

The New York Times
Unrest (2017)

Publish Date: September 21, 2017
"[It] demonstrates just how debilitating chronic fatigue syndrome can be (...) 'Unrest' is a video diary and, as such, is not always easy to watch."

The New York Times
The Wrong Light (2016)

Publish Date: July 13, 2017
"An engrossing cautionary tale teaching one of philanthropy’s oldest lessons: Caveat emptor."

The New York Times
Food Evolution (2016)

Publish Date: June 22, 2017
"With a soft tone, respectful to opponents but insistent on the data, 'Food Evolution' posits an inconvenient truth for organic boosters to swallow"

The New York Times
Long Strange Trip (2017)

Publish Date: May 25, 2017
"Ambitiously assembled and elegantly directed by Amir Bar-Lev (...) The film is neither comprehensive nor definitive."

The New York Times
Mr. Chibbs (2017)

Publish Date: May 2, 2017
"The film, like its subject, frustrates in its inability to focus; there is no deep inquiry into what makes Anderson tick."

The New York Times
I Am Not a Serial Killer (2016)

Publish Date: August 25, 2016
"Billy O’Brien nicely balances the tedium of small-town life (...) with an unnervingly creepy vibe. Unfortunately, the plot goes off the rails in the second half."

The New York Times
Outlaws and Angels (2016)

Publish Date: July 14, 2016
"The sensibility is more grindhouse gore than spaghetti western, perhaps hoping to mine the same vein as Quentin Tarantino’s 'The Hateful Eight,' but lacking Mr. Tarantino’s lively dialogue and wicked sense of humor"

The New York Times
Requiem for the American Dream (2015)

Publish Date: January 28, 2016
"This well-paced and cogent seminar spotlights a man who, now 87, seems at the height of his intellectual powers"

The New York Times
A Night in Old Mexico (2013)

Publish Date: May 15, 2014
"The director Emilio Aragón wisely trains the camera on Mr. Duvall. 'A Night in Old Mexico' is his baby, and he rocks it."

The New York Times
Next Year Jerusalem (2013)

Publish Date: May 15, 2014
"What elevates the film beyond a video scrapbook (...) are the glimpses of the routines and slow rhythms of the nursing home before and after this adventure."

The New York Times
Warrior King 2 (2013)

Publish Date: May 1, 2014
"With jokes and computer-generated spectacles diluting the action, this is not one for fight-film purists."

The New York Times
The Rooftop (2013)

Publish Date: July 18, 2013
"'The Rooftop' is frenzied, funny and knowing, drenched in lavish, often surreal, imagery"

The New York Times
A Funny Kind of Love (2014)

"The only sketch that’s inspired is the final one."

The New York Times
Cloudy with a Chance of Meatballs (2009)

"If the filmmakers opt to make only light statements about junk food, obesity and solid waste, they at least leave the audience sated on a single serving of inspired lunacy."

The New York Times
Linsanity (2013)

"Lin raised his game’s possibilities; you just wish that Mr. Leong had raised his."

The New York Times
Long Shot: The Kevin Laue Story (2013)

"A memorable account of an inspiring struggle to finish on top"

The New York Times

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