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Mary Sollosi

Film Critic

United States

Spencer (2021)

Publish Date: November 4, 2021
"Unconventional Princess Diana biopic (...) The actress delivers one of her best performances yet"

Entertainment Weekly
He's All That (2021)

Publish Date: August 27, 2021
"Recycled, but disposable. This gender-swapped, Gen Z-centric update doesn't live up to the original."

Entertainment Weekly
Respect (2021)

Publish Date: August 9, 2021
"Respect generally hits the notes it needs to, both musically and historically, but comes up short in what should be the most crucial ingredient — soul"

Entertainment Weekly
To All the Boys: Always and Forever (2021)

Publish Date: February 11, 2021
"[It] does understand how all-consuming first love can be (...) It's a shame, though, that what was once a bit of an underdog love story (...) has been blown up into a tricked-out globetrotting fantasy of gooey devotion."

Entertainment Weekly
Land (2021)

Publish Date: January 31, 2021
"A curious little survival movie, straightforward but occasionally inexplicable."

Entertainment Weekly
Misha and the Wolves (2021)

Publish Date: January 31, 2021
"The insights of the doc don't reverberate far beyond the story it's telling. But oh, what a story"

Entertainment Weekly
Malcolm & Marie (2021)

Publish Date: January 22, 2021
"A stylish, pretentious slog (...) [The dialogue] is overwritten almost to the point of absurdity. It's simultaneously half-baked and overdone"

Entertainment Weekly
Wonder Woman 1984 (2020)

Publish Date: December 15, 2020
"Jenkins goes all-in on the ‘80s (...) The bright, shiny production is deeply attentive to that sense of time and place, which is especially satisfying in a genre that can often feel vague in that regard"

Entertainment Weekly
Farewell Amor (2020)

Publish Date: December 12, 2020
"Msangi’s trio of stars are uniformly great (...) A story of resilience, and of hope. And those are always worth telling."

Entertainment Weekly
Wander Darkly (2020)

Publish Date: December 11, 2020
"[The ending presents] an electrifying revelation, showing glimmers of profundity and making everything that came before it exponentially better. It’s just a shame it takes so long to get there"

Entertainment Weekly
The Prom (2020)

Publish Date: December 1, 2020
"Please, by all means, call off 'The Prom' (...) [It] is narratively sloppy, emotionally false, visually ugly, morally superior, and at least 15 minutes too long"

Entertainment Weekly
The Craft: Legacy (2020)

Publish Date: October 28, 2020
"By the end of 'Legacy', each of the witches has become less interesting and less distinct"

Entertainment Weekly
The Secrets We Keep (2020)

Publish Date: September 17, 2020
"A contrived but well-acted thriller (...) [Its] answers are predictable, but at least somewhat satisfying"

Entertainment Weekly
House of Cardin (2019)

Publish Date: September 15, 2020
"The movie works best when it keeps its focus on Cardin's history in and approach to fashion (...) but becomes muddled as it examines his work in furniture design"

Entertainment Weekly
Chemical Hearts (2020)

Publish Date: August 20, 2020
"Tanne’s second film doesn’t live up to the promise of his first, lacking its texture and specificity, but still offers small insights and worthy central performances."

Entertainment Weekly
Endings, Beginnings (2019)

Publish Date: April 17, 2020
"Somehow a love triangle featuring Sebastian Stan and Jamie Dornan turns out to be boring, pretentious, and a wee bit problematic."

Entertainment Weekly

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Mary Sollosi

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