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David Edelstein

David Edelstein

Film Critic

United States

But I'm a Cheerleader (1999)

Publish Date: July 7, 2020
"As it happens, I couldn't agree more with the point of view of But I'm a Cheerleader, but I couldn't like the movie less."

Slate
Robert the Bruce (2019)

Publish Date: April 24, 2020
"The problem is less what the movie does than what it doesn’t do, i.e., hit any high notes. If Robert doesn’t resolve to fight, there’s no movie"

Vulture
The Recruit (2003)

Publish Date: January 31, 2020
"Pacino is a good mascot for The Recruit: a hambone in a vacuum."

Slate
The King (2019)

Publish Date: October 10, 2019
"Timothée Chalamet’s emo angst is underwhelming (...) I admire the sentiment but wish Michôd had crafted something more surprising"

Vulture
Marie-Antoinette (2006)

Publish Date: October 6, 2019
"This is one of the most immediate, personal costume dramas ever made"

New York Magazine
Dolemite Is My Name (2019)

Publish Date: October 5, 2019
"Like Ed Wood, like Tommy Wiseau, like Tonya Harding, [Dolemite] is the subject of an award-worthy biopic with an A-list starr"

Vulture
Le Mans '66 (2019)

Publish Date: September 13, 2019
"The movie is an old-fashioned rouser with a lot of new-fashioned virtuosity"

Vulture
Midsommar (2019)

Publish Date: June 19, 2019
"An ambitious, blurry horror trip (...) Pugh is amazingly vivid (...) Perhaps 'Midsommar' doesn’t jell because its impulses are so bifurcated."

Vulture
Diane (2018)

Publish Date: March 28, 2019
"Trying to forestall our loneliness is what connects us. That's not a depressing conclusion - it's the beginning of a design for living. In its mundane way, 'Diane' gives you a glimpse of the sublime."

Vulture
To Dust (2018)

Publish Date: February 7, 2019
"Every time Broderick said 'Shmell' I laughed — but then, I laughed at almost everything Broderick said (...) The film’s final moments are indelibly moving"

Vulture
An Acceptable Loss (2019)

Publish Date: January 17, 2019
"'An Acceptable Loss' is just so-so, but Jamie Lee Curtis is fascinating"

Vulture
Rust Creek (2018)

Publish Date: January 3, 2019
"It's tight without being punishing, and its humor takes you happily by surprise."

Vulture
On the Basis of Sex (2018)

Publish Date: December 21, 2018
"[It] plays like a 'Rocky' movie, but it works"

Vulture
Vice (2018)

Publish Date: December 17, 2018
"[Bale] nails Cheney’s chilling half-smile (...) 'Vice' has a big structural problem, though. However fitfully inspired, the narrative doesn’t hold you"

Vulture
The Mule (2018)

Publish Date: December 12, 2018
"Eastwood’s direction is lean, brisk, and pointedly unfussy. The casting is spot-on (...) 'The Mule' would be a small potatoes without the lift it gets from Eastwood’s mythic persona"

Vulture
Ben Is Back (2018)

Publish Date: December 7, 2018
"[It] makes you dream of a world in which no one needs movies like 'Ben Is Back'"

New York Magazine
The Ballad of Buster Scruggs (2018)

Publish Date: November 13, 2018
"This is the sort of film that traditionally marks the start of an artist's "late phase" - one in which old motifs are brought back in different keys and tested (...) For the Coens, it's a thrilling new frontier."

Vulture
The Other Side of the Wind (2018)

Publish Date: October 28, 2018
"A meta-masterpiece (...) Don’t dig too deep into 'The Other Side of the Wind': It’s largely surface. But what a surface."

Vulture
What They Had (2018)

Publish Date: October 17, 2018
"There's raw power in Chomko's writing, but so much scrupulousness and craft that you feel safe when the time comes to weep."

Vulture
Bad Times at the El Royale (2018)

Publish Date: October 12, 2018
"'Bad Times at the El Royale' isn't an event. But I was never too bored."

Vulture

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