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Sheila Benson

Film Critic

United States

The Grifters (1990)

Publish Date: December 5, 1990
"It is a perfect piece of work, mature and composed"

Los Angeles Times
Dances with Wolves (1990)

Publish Date: November 9, 1990
"A frontier epic rich in character, action and spectacle (...) This is a film with a pure ring to it"

Los Angeles Times
Miller's Crossing (1990)

Publish Date: October 5, 1990
"Stylish but remote (...) It has Albert Finney in a grand turn as Leo (...) Its diversions aren't enough to melt its cold, cold heart."

Los Angeles Times
Narrow Margin (1990)

Publish Date: September 21, 1990
"[It] is a rip-roaring movie if you like train chases--or smoke. If you like a growing attraction between consulting adults (...) or any sense of richness of character you’d be better off home with a good Hitchcock"

Los Angeles Times
Presumed Innocent (1990)

Publish Date: July 27, 1990
"Intelligent, complex and enthralling, 'Presumed Innocent' is one of those rare films where all the players seem to be in a state of grace"

Los Angeles Times
Days of Thunder (1990)

Publish Date: June 27, 1990
"The NASCAR racing footage and Tom Cruise’s grin are fine. Robert Towne’s malnourished screenplay isn’t."

Los Angeles Times
Dick Tracy (1990)

Publish Date: June 10, 1990
"Brash, irresistible fun (...) It’s a film of enormous style, with a sure sense of itself"

Los Angeles Times
My Left Foot (1989)

Publish Date: February 2, 1990
"Tough-minded, unsentimental and brilliant (...) This one you see for the pure love of great movie making"

Los Angeles Times
Always (1989)

Publish Date: December 22, 1989
"A better title for 'Always' (...) might be 'Forever', which is roughly its running time (...) [A] gargantuan nonsense."

Los Angeles Times
Valmont (1989)

Publish Date: November 17, 1989
"'Valmont' is gorgeous, and for a while you can coast on its costumes and production details (...) But seductive as his surfaces are, Forman’s tack doesn’t hold for long"

Los Angeles Times
Drugstore Cowboy (1989)

Publish Date: October 11, 1989
"An electrifying movie without one misstep or one conventional moment, makes us voyeurs in the world of 1970s 'dope fiends'"

Los Angeles Times
Sex, Lies and Videotape (1989)

Publish Date: August 4, 1989
"Brilliant! A delicate and sexually-charged film"

Los Angeles Times
Distant Voices, Still Lives (1988)

Publish Date: July 28, 1989
"Terence Davies' mesmerizing memory film, 'Distant Voices, Still Lives' (...) becomes its own kind of poetry: taut, referential, inward, brilliant"

Los Angeles Times
When Harry Met Sally (1989)

Publish Date: July 14, 1989
"The summer's uncorseted, unqualified delight."

Los Angeles Times
Loverboy (1989)

Publish Date: May 1, 1989
"The director has been able to do nothing with this wheezing script (...) [What makes 'Loverboy'] such a pitiful waste is that Dempsey has so much potential charm."

Los Angeles Times
Dead Calm (1989)

Publish Date: April 7, 1989
"A spare, smart, seductive piece of real movie making with (almost) every loophole covered, a superlative cast and enough tension to keep us all hyperventilating for hours."

Los Angeles Times
Heathers (1989)

Publish Date: March 31, 1989
"'Heathers' gets lost in a moral thicket (...) To mount black comedy successfully, you must have a clearly defined point of view"

Los Angeles Times
Hanussen (1988)

Publish Date: March 8, 1989
"Like every film Szabo touches, 'Hanussen' (...) glows with a delicate, soft-edge light (...) It is also impeccably performed"

Los Angeles Times
Cousins (1989)

Publish Date: February 10, 1989
"What moments of genuine emotion 'Cousins' has can be traced directly to Isabella Rossellini; the rest is bustling, prettified, thoroughly bogus but intermittently entertaining."

Los Angeles Times
The January Man (1989)

Publish Date: January 13, 1989
"[It] is nothing to seek out if you want airtight logic. What it offers is charm, blather, the dazzlement of writing and performance that wear thin well before the final, credulity-straining quarter"

Los Angeles Times

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