Ella Taylor
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Two Night Stand (2014)Publish Date: September 22, 2014"'Two Night Stand's' strength lies in the doubts and the ambivalence it expresses about the way we love now"
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The Maze Runner (2014)Publish Date: September 9, 2014"A solid adaptation (...) 'The Maze Runner' feels refreshingly low-tech and properly story-driven"
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Howl's Moving Castle (2004)Publish Date: June 9, 2005"Another soulful gem from the peerless Japanese animator Hayao Miyazaki"
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The Son (2002)Publish Date: April 3, 2003"[A] extraordinarily tactful movie"
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Brokeback Mountain (2005)"'Brokeback Mountain' is at once the gayest and the least gay Hollywood film I've seen, which is another way of saying that Lee has a knack for culling universality from the most specific identities"
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Capote (2005)"The triumph of 'Capote' is that it both grants and shares with him that twisted brew of obsessive identification and monstrous detachment that is the fertile burden of the artist."
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Addicted to Love (1997)!It's a tribute to Robert Gordon's nifty screenplay and Dunne's cheerful way with digression that 'Addicted to Love', even as it broadens into screwball, also deepens into a character study full of surprising left turns"
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Tuck Everlasting (2002)"'Tuck Everlasting' is a wise and beautiful poem to the idea that the fundamental human tragedy is not death, but the unlived life"
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Klimt (2006)"Ruiz is so intent on harnessing the painter to his own -- here, rather arid -- relativism that he never manages to convey the unfettered eros that brings crowds flocking to exhibitions of Klimt's work"
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Open Hearts (2002)"A very good new Dogme by Danish director Susanne Bier, begins with several lives in excellent working order, and proceeds by way of domestic tragedy to a full-court emotional train wreck."
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Horton Hears a Who! (2008)"Warm, playful and inventive, this tale of an elephant with a spirit as generous as his waistline comes juiced with the genially goofy animation of the folks who brought us 'Ice Age'"
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The Ant Bully (2006)"Wittily manipulating scale to generate the requisite fright factor, the movie is stuffed with visual delights both lyrical and visceral"
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"Ray Harryhausen's original stop-motion Sinbad classics are a hard act to follow, but Tim Johnson and Patrick Gilmore's update, couched in a gorgeous palette of indigo and dark rose, is a big, beautiful thrill all its own."
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"The movie is driven almost entirely by its exhilaratingly subversive characters."
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The Family Stone (2005)"A potentially interesting tale flailing haplessly in the quicksand of holiday-movie formula."
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