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LA Weekly

Company

United States

United States

357 pro reviews

225

67

84

Latest published

Caught by the Tides (2024)
Publish Date: May 11, 2025
"A recognizably Jia-esque odyssey, brimming with prowling camera pans, musical detours, documentary asides, and poetic iconography"

Michael Atkinson
Bonjour Tristesse (2024)
Publish Date: May 4, 2025
"Lovely to look at, and beguilingly analytical in its details, but ultimately an irrelevance, an almost chaste tale of sublimated desire that can’t seem to raise its own temperature"

Michael Atkinson
Gazer (2024)
Publish Date: April 7, 2025
"All told, the film fairly seethes with ingenuity, however much it must frequently do battle with its lack of originality"

Michael Atkinson
The Assessment (2024)
Publish Date: March 23, 2025
"It can be great fun, but it’s also a debasement the adult suffers with a tired smile"

Michael Atkinson
No Other Land (2024)
Publish Date: February 3, 2025
"The message is obvious but vitally important: that war affects everyone, not just soldiers, and that we should set our political differences aside to allow everyone to live harmoniously in peace"

Asher Luberto
Wallace & Gromit: Vengeance Most Fowl (2024)
Publish Date: December 29, 2024
"With their signature style, which feels even more fresh now that animation has gone digital, Aardman has crafted another comedy that stands out amidst the crowd. Fresh, inventive and engaging"

Asher Luberto
Nosferatu (2024)
Publish Date: December 22, 2024
"If the crave is for a monochromatic vibe that smells like castle mold, look no further. You geek out, or you don’t go"

Michael Atkinson
The Brutalist (2024)
Publish Date: December 19, 2024
"You could say that Brady Corbet’s sprawling, top-heavy, high-minded film 'The Brutalist' is an ambitious, personal, all-American epic like they simply don’t make anymore"

Michael Atkinson
Nickel Boys (2024)
Publish Date: December 19, 2024
"Herisse and Wilson do fine work in roles that must have presented complex technical challenges"

Chuck Wilson
Mufasa: The Lion King (2024)
Publish Date: December 18, 2024
"The film’s deeper emotions are truly what set this prequel apart from the pack of Disney remakes"

Asher Luberto
The Universal Theory (2023)
Publish Date: September 30, 2024
"Before long you’ll realize the film is not going to answer any of its own questions"

Michael Atkinson
April (2024)
Publish Date: September 19, 2024
"A mood piece of otherworldly control and breath-holding severity, [it] is the kind of art film you wish for all year long"

Michael Atkinson
The 4:30 Movie (2024)
Publish Date: September 17, 2024
"Even if [it] is intended as a parody of crummy ’80s teen comedies, that still means the jokes are lame and their hollering deliveries are dead on arrival"

Michael Atkinson
Close Your Eyes (2023)
Publish Date: August 22, 2024
"It’s not a film about our enthrallment; it’s about Erice, and he’s earned it like a civil servant’s pension"

Michael Atkinson
Kidnapped: The Abduction of Edgardo Mortara (2023)
Publish Date: May 27, 2024
"Bellocchio’s physically lovely film ends up feeling somewhat one-note —it’s an anti-clerical, anti-Papist piece of work, and that’s all"

Michael Atkinson
Gasoline Rainbow (2023)
Publish Date: May 12, 2024
"It's all scantly articulated and fairly boilerplate; it's as if the filmmakers deliberately picked their cast by filtering out interesting stories or distinctive ideas"

Michael Atkinson
Wildcat (2023)
Publish Date: May 2, 2024
"An ambitious paean to creative will, and a won't-let-go love song to the old-fashioned act of making art"

Michael Atkinson
Sting (2024)
Publish Date: April 9, 2024
"A terrific new horror movie (...) a talented young director worthy of a bigger playing field."

Chuck Wilson
The Beast (2023)
Publish Date: April 3, 2024
"Bertrand Bonello tosses dynamic images –and too many ideas– into his beautiful filmic dumpster"

Michael Atkinson
Out of Darkness (2022)
Publish Date: February 11, 2024
"The movie is not ultimately the horror film it's being marketed as, it's more like a cave-dwelling slasher film, with a late-in-the-game swivel that doesn't quite dovetail with the shredded bodies"

Michael Atkinson

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