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Robert Abele

Film Critic

United States

Passage (2024)

Publish Date: July 18, 2024
"But something more nuanced emerges regarding our internal compasses in filmmaker Levan Akin’s 'Crossing' (...) It’s what gives this compassionate, cautiously hopeful movie’s open-eyed naturalism a wonderful, pulsating humanity"

Los Angeles Times
Touch (2024)

Publish Date: July 11, 2024
"Even after the pall of historical tragedy thickens, 'Touch' is still perfumed with much to admire for a love story"

Los Angeles Times
Confessions of a Good Samaritan (2023)

Publish Date: July 11, 2024
"[It] is as much about the mysteries of our human impulses as it is about elective surgery and the roots of altruism"

Los Angeles Times
Daddio (2023)

Publish Date: June 27, 2024
"Life may be the subject, but life is what’s missing"

Los Angeles Times
Summer Solstice (2023)

Publish Date: June 20, 2024
"Though modest in aim and light on its feet, it gives hope that, like with Rohmer, trans stories eventually reach all the seasons"

Los Angeles Times
Fancy Dance (2023)

Publish Date: June 20, 2024
"Lived-in, thoughtful feature directorial debut"

Los Angeles Times
Firebrand (2023)

Publish Date: June 13, 2024
"At a certain point, it feels as if scenes are missing, and what’s left reads as unconvincing"

Los Angeles Times
Flipside (2023)

Publish Date: June 7, 2024
"Wilcha breezily excavates why life can feel so full of promise while also being frustratingly incomplete"

Los Angeles Times
The Dead Don't Hurt (2023)

Publish Date: May 30, 2024
"Carved out of rough-hewn elements, 'The Dead Don’t Hurt' charms with retro-western poise"

Los Angeles Times
Kidnapped: The Abduction of Edgardo Mortara (2023)

Publish Date: May 30, 2024
"We can celebrate now what Bellocchio, a driven old master, has achieved: a heartfelt thriller of intensity and intimacy in which getting saved looks an awful lot like being lost"

Los Angeles Times
Catching Fire: The Story of Anita Pallenberg (2023)

Publish Date: May 9, 2024
"[It]supplies belated respect for a rock muse (...) Propulsive"

Los Angeles Times
Power (2024)

Publish Date: May 9, 2024
"A stinging analysis of the forces that created American police authority as we know it: 'to control and to suppress'"

Los Angeles Times
Boy Kills World (2023)

Publish Date: April 24, 2024
"For this boy to kill the world, the movie shouldn’t need to kill our patience first"

Los Angeles Times
We Grown Now (2023)

Publish Date: April 17, 2024
"The truth hovering over this sweet and sad tale is itself only a memory of community (...) In its sincerity of vision, 'We Grown Now' is loving testament to them"

Los Angeles Times
Blackout (2023)

Publish Date: April 11, 2024
"Not everything about the DIY aura of 'Blackout' is effective and the pace can slow to a heavy lope (...) Yet the idiosyncratic earnestness of an experienced horrormeister playing with the classics still makes for a substantial midnight snack"

Los Angeles Times
The Old Oak (2023)

Publish Date: April 11, 2024
"It’s a righteous oeuvre with marvelously strong roots"

Los Angeles Times
Coup de chance (2023)

Publish Date: April 5, 2024
"The result carries the whiff of something simultaneously refreshing and nostalgic"

Los Angeles Times
Farewell, Mr. Haffmann (2021)

Publish Date: April 3, 2024
"It may not exhibit the subtle spatial flair that great filmmakers have been known to wring from constricted places, but it gets the claustrophobia right"

Los Angeles Times
Wicked Little Letters (2023)

Publish Date: March 29, 2024
"[It] is benignly enjoyable (...) it’s a shame we’re so far removed from the heyday of Britain’s Ealing Studios and its oddball comedies like 'Passport to Pimlico', 'Whiskey Galore' and 'The Ladykillers'"

Los Angeles Times
The Shadowless Tower (2023)

Publish Date: March 29, 2024
"There’s a rich quietude at work in 'The Shadowless Tower', which makes one realize how that virtue varies from filmmaker to filmmaker"

Los Angeles Times

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1978

Norman Jewison

6.2

(2,221)

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