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Elisabeth Vincentelli

Elisabeth Vincentelli

Film Critic

United States

Indigo Girls: It's Only Life After All (2023)

Publish Date: April 9, 2024
"Existing fans will be mesmerized, but non-fans like me should also get a kick out of [it]"

The New York Times
Limbo (2023)

Publish Date: March 20, 2024
"Sen, who also handled both the black-and-white cinematography and the editing, has a terrific eye for shot composition and sets a deliberate pace that feels implacable rather than merely slow"

The New York Times
Waitress: The Musical (2023)

Publish Date: December 6, 2023
"Bareilles’s first Broadway effort displays a joyful confidence (...) Unfortunately, the glare of the cameras also highlights flaws that were easier to overlook onstage"

The New York Times
Dicks: The Musical (2023)

Publish Date: October 4, 2023
"Despite brief instances when it spills into surreal madness, most notably in a scene set in a sewer, the film is rudderless — which is a polite way to say limp."

The New York Times
Bottoms (2023)

Publish Date: August 23, 2023
"For most of its tight running time, 'Bottoms' hovers on the cusp of greatness"

The New York Times
Gray Matter (2023)

Publish Date: July 12, 2023
"'Gray Matter' is by-the-numbers, by-committee product"

The New York Times
Joy Ride (2023)

Publish Date: July 5, 2023
"The cast's chemistry and flawless timing hold steady"

The New York Times
The Perfect Find (2023)

Publish Date: June 22, 2023
"It is saved by two fleet-footed leads who have mastered the two steps forward, one step back dance at the heart of romantic comedy"

The New York Times
Kandahar (2023)

Publish Date: May 24, 2023
"Not only is the pace tepid at best, but Tom is a bore, with at least three characters more intriguing than he is"

The New York Times
You Can Live Forever (2022)

Publish Date: May 3, 2023
"[It] sticks to a fairly common coming-of-age trajectory. There is a sense of a missed opportunity in that we see the action through the eyes of Jaime,"

The New York Times
Clock (2023)

Publish Date: April 26, 2023
"'Clock' is a psychological thriller, or perhaps even a satire, in horror clothing, tantalizing us with thought-provoking ideas, only to abandon them"

The New York Times
A Tourist's Guide to Love (2023)

Publish Date: April 20, 2023
"A rom-com that so scrupulously fulfills every cliché of the genre, it might as well have been devised by ChatGPT"

The New York Times
Smoking Causes Coughing (2022)

Publish Date: March 29, 2023
"[Dupieux's] latest might be his funniest yet"

The New York Times
Heathers: The Musical (TV) (2022)

Publish Date: September 14, 2022
"Despite these flashes of timidity and an overlong running time, the musical is a fun romp with plenty of, ahem, killer tunes"

The New York Times
Alienoid: Part 1 (2022)

Publish Date: August 24, 2022
This is the rare film that makes going off the plot rails wildly entertaining, even if every half-hour or so Choi drops an info dump to clarify (sort of) the story.

The New York Times
The Takedown (2022)

Publish Date: May 5, 2022
"A Gallic spin on buddy-cop movies, especially those from the 1980s and ’90s. Unfortunately much of the humor belongs to that era, too"

The New York Times
Woodstock 99: Peace Love and Rage (2021)

Publish Date: July 22, 2021
"'Woodstock 99' neatly captures a cultural moment, albeit a destructive one"

The New York Times
Awake (2021)

Publish Date: June 8, 2021
"There is no getting around it: Mark Raso’s 'Awake' is bad. But at least it’s so bad that it’s often ludicrously laughable"

The New York Times
In & of Itself (2020)

Publish Date: January 21, 2021
"It is not often that a magic show makes you ponder not just the how, but the why."

The New York Times
Rogue City (2020)

Publish Date: October 29, 2020
"An ineffectual muddle (...) Marchal makes do without set pieces: no ratcheting of tension, no elaborate chases (...) Instead, we get … not much at all."

The New York Times

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