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The New York Times

The New York Times

United States

Universal Language (2024)

Publish Date: February 12, 2025
"A gently funny, gently moving, slightly surrealist little comedy that’s aimed at two groups of people: Canadians and aficionados of Iranian cinema"

Alissa Wilkinson
Heart Eyes (2025)

Publish Date: February 5, 2025
"A horror rom-com can be delightful, but this film would put even Cupid in a bad mood"

Erik Piepenburg
Kinda Pregnant (2025)

Publish Date: February 5, 2025
"A movie less interested in relationships than in the sundry items"

Natalia Winkelman
Mo (TV Series) (2022)

Publish Date: February 2, 2025
"[2nd Season Review]: These two seasons fit together as one big story, one that reaches a conclusion but also demands its next chapter"

Margaret Lyons
Love Me (2024)

Publish Date: January 30, 2025
"The Zucheros bring a great deal of imagination to the task, and the sheer audacity of the movie is enough to make it worth watching, even if, at times, the gadgets’ sentimental education starts to feel repetitive"

Alissa Wilkinson
Marcello Mio (2024)

Publish Date: January 30, 2025
"A mostly charming but occasionally aggravating French farce"

Natalia Winkelman
Dog Man (2025)

Publish Date: January 28, 2025
"A antic, enjoyable adaptation of Dav Pilkey’s comic series. (...) Mostly, it’s a visual pleasure. The splashy color palette keeps the eye engaged"

Ben Kenigsberg
Prime Target (TV Series) (2025)

Publish Date: January 20, 2025
"'Prime Target' Is a Charming Popcorn Thriller (...) Don’t think overly hard about the premise. Just enjoy the constant cliffhangers and beautiful people."

Esther Zuckerman
One of Them Days (2025)

Publish Date: January 15, 2025
"Lamont and Singleton effortlessly mix the silly with the sincere, and although [this film] favors razzing over heart-to-hearts, our belief in this pairing never wavers"

Natalia Winkelman
Alarum (2025)

Publish Date: January 15, 2025
"Mission Forgettable (...) Sylvester Stallone briefly stabilizes this artless action movie about a rogue agent and his wife on the run."

Jeannette Catsoulis
Night Call (2024)

Publish Date: January 15, 2025
"The film may be sticking to a familiar template (...) but Blanchard’s snappy direction and the great mileage he gets out of the city’s nooks and crannies bumps it up the crime-action totem pole"

Beatrice Loayza
Wish You Were Here (2025)

Publish Date: January 15, 2025
"A tepid romance follows familiar genre lines, but lacks some fundamental appeal."

Alissa Wilkinson
In the Shadow of Beirut (2023)

Publish Date: January 13, 2025
"The four stories are almost overwhelming to witness all packed together, but the mission to communicate them to a larger audience is admirable"

Nicolas Rapold
Ad Vitam (2025)

Publish Date: January 12, 2025
"The minimal plot purports to endorse spartan storytelling, but after a promising start the movie detours into an overlong flashback."

Elisabeth Vincentelli
On Call (TV Series) (2025)

Publish Date: January 8, 2025
"Its use of bodycam footage adds an air of realism and a camera-shaking chaos, and there is a healthy serving of grimy violence."

Margaret Lyons
Den of Thieves 2: Pantera (2025)

Publish Date: January 8, 2025
"'Den of Thieves 2: Pantera' isn’t groundbreaking, but it delivers what it promises: lovable scoundrels trading bullets and traversing borders."

Robert Daniels
The Damned (2024)

Publish Date: January 2, 2025
"A period of slog reduces the story’s immersive quality, slowing momentum. What’s best about the movie, though, is how it eventually picks back up and morphs into something a bit different from straight-ahead horror"

Alissa Wilkinson
From Ground Zero (2024)

Publish Date: January 2, 2025
"The most moving entry might be Etimad Washah’s Taxi Wanissa"

Nicolas Rapold
Don't Die: The Man Who Wants to Live Forever (2025)

Publish Date: January 1, 2025
"By the time it’s over, you will be older, a progression that if anything the movie feels like it hastens"

Ben Kenigsberg
Better Man (2024)

Publish Date: December 24, 2024
"Gracey paints a fabulously entertaining and touching picture of an insecure, complicated man hauling himself from a quicksand of grasping fans, greedy impresarios, unresolved addictions and father-son dysfunction."

Jeannette Catsoulis

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