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The Man Who Shot Liberty Valance

Western Congressman Ransom Stoddard (James Stewart) returns with his wife Hallie (Vera Miles) to the tiny town of Shinbone to bury an old friend, Tom Doniphon (John Wayne), and tells reporters the truth about how he came to be known as 'the man who shot Liberty Valance.' Many years before, as a dishwasher and aspiring lawyer, Ransom had encouraged Shinbone to stand up against the highwayman Valance (Lee Marvin), a thug who also enforced the ... [+]
Author Review
United StatesUnited States
The New Yorker
The New Yorker
"It's both the most romantic of Westerns and the greatest American political movie"  POS
United StatesUnited States
Chicago Reader
Chicago Reader
"A great film, rich in thought and feeling, composed in rhythms that vary from the elegiac to the spontaneous"  POS
United StatesUnited States The New York Times "Their basically honest, rugged and mature saga has been sapped of a great deal of effect by an obvious, overlong and garrulous anticlimax."  NEU
United StatesUnited States
rogerebert.com
rogerebert.com
"[From the] templates of the Hollywood Western (...) 'Liberty Valance' was the most pensive and thoughtful (…) Rating: ★★★★ (out of 4)"  POS
United StatesUnited States Variety "[It] is an entertaining and emotionally involving western. Yet, while it is an enjoyable film it falls distinctly shy of its innate story potential."  NEU
United StatesUnited States
Slant
Slant
"There's something about Wayne's on-screen performance that's still captivating nearly half a century later (…) Rating: ★★★½ (out of 5)"  POS
United StatesUnited States
AV Club
AV Club
"The late ’60s and ’70s found filmmakers demythologizing the Old West; with 'Liberty Valance', Ford beat them to it, offering a bittersweet look at the closing of the frontier"  POS
United KingdomUnited Kingdom
Time Out
Time Out
"Ford's purest and most sustained expression of the familiar themes of the passing of the Old West, the conflict between the untamed wilderness and the cultivated garden, and the power of myth."  POS
United StatesUnited States
Austin Chronicle
Austin Chronicle
"Arguably, the best John Ford film ever, certainly one the very best, 'The Man Who Shot Liberty Valance' is an American classic. Ford addresses the complexity of heroism in a poetic manner"  POS
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