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William Bibbiani

William Bibbiani

Film Critic

United States

At Eternity's Gate (2018)

Publish Date: September 3, 2018
"Dafoe gives a towering performance in Julian Schnabel’s sensitive but unconventional film (...) Biographies of famous artists are nothing new, but 'At Eternity’s Gate' feels a little special"

The Wrap
Kin (2018)

Publish Date: August 28, 2018
"'Kin' could have been worse, but it’s not satisfying (...) The overall pacing drags"

IGN
A.X.L. (2018)

Publish Date: August 24, 2018
"A family movie where the dog is too scary for kids and the plot is too ridiculous for adults"

The Wrap
The Happytime Murders (2018)

Publish Date: August 22, 2018
"[It] may not be a timeless classic on par with 'Roger Rabbit', but it’s more interesting than its raunchy, violent humor suggests (...) Although the story isn’t ingenious the jokes are usually funny."

IGN
Christopher Robin (2018)

Publish Date: August 2, 2018
"A formulaic and depressing motion picture that takes meaningful characters and strips them of their reason to exist."

IGN
The Darkest Minds (2018)

Publish Date: July 30, 2018
"[It] delivers its allegories with crisp efficiency (...) Action sequences are clear and conceptually sound, but presented without flare or gravitas."

The Wrap
The Equalizer 2 (2018)

Publish Date: July 17, 2018
"The main plot gets sidelined too often and fails to ramp up (...) A reasonably satisfying mid-budget action thriller, with slick style and an intriguing hero"

The Wrap
Unfriended: Dark Web (2018)

Publish Date: July 16, 2018
"'Unfriended: Dark Web' turns the internet into a boring boogeyman (...) The scares are ridiculous, the plot makes no sense"

IGN
Skyscraper (2018)

Publish Date: July 10, 2018
"As an action movie, 'Skyscraper' is deliciously ludicrous (...) It’s a simple-minded but wildly entertaining blockbuster"

IGN
The First Purge (2018)

Publish Date: July 3, 2018
"As the nation skids toward totalitarianism, 'The Purge' franchise grows ever more plausible (...) It’s a severe and potent political allegory"

The Wrap
Sicario: Day of the Soldado (2018)

Publish Date: June 20, 2018
"Slick sequel ups the violence but loses the point (...) It’s a tough-as-nails action thriller, and all those nails are hammered directly into the movie’s own coffin."

The Wrap
Bernard and Huey (2017)

Publish Date: June 8, 2018
"Jules Feiffer’s cartoon characters don’t translate to 3 dimensions (...) 'Bernard and Huey' isn’t particularly funny (...) It isn’t particularly tragic"

The Wrap
Ocean's 8 (2018)

Publish Date: June 5, 2018
"'Ocean’s 8' is the most satisfying installment in the franchise. The all-star cast is impeccable, the shift in focus yields sharp insights, and the heist itself is wily and enjoyable."

IGN
Breaking In (2018)

Publish Date: May 10, 2018
"'Breaking In' is a clever twist on the home invasion genre, with a dynamic lead performance by Gabrielle Union"

IGN
Overboard (2018)

Publish Date: May 3, 2018
"The cast does the best they can to save the weak material (...) But it's not funny enough, or even weird enough, to get away with it."

IGN
Alex Strangelove (2018)

Publish Date: April 14, 2018
"[Johnson] gets the hilarity and the angst just right (...) It’s a complex inner journey, and writer-director Craig Johnson (...) brings it to life in just about every way he can"

The Wrap
Truth or Dare (2018)

Publish Date: April 11, 2018
"The film's truths and dares are unremarkable, and the players are mostly boring (...) The only winning move is not to play."

IGN
Game Over, Man! (2018)

Publish Date: March 22, 2018
"A sloppy production (...) The characters are such enormous jerks that they probably don’t deserve to succeed, at anything, so it’s hard to want to follow their adventures through an entire film."

IGN
Sherlock Gnomes (2018)

Publish Date: March 22, 2018
"[It is] slightly better than 'Gnomeo and Juliet', but it’s still nothing special (...) Although there are moments of creativity, and a few noteworthy vocal performances, it’s still a middle-of-the-road cartoon"

The Wrap
The Outsider (2018)

Publish Date: March 7, 2018
"It takes extremely familiar plot points and plays them straight, adding nothing new except the premise (...) Incredibly unremarkable"

IGN

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