Emanuel Levy
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The Contender (2000)"The large, talented cast elevates the film above the trappings of its loquacious debates."
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Boiler Room (2000)"Begins extremely well as a saga of greed and conspicuous consumption, but gradually loses its bite."
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54 (1998)"Director Mark Christopher gives the picture a brisk pace and a colorful, party-like mood that makes the experience painless and sporadically even enjoyable"
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The Way of the Gun (2000)"Each of the talented thesps has some good moments, but, ultimately, none can rise above the limitations of the material and filmmaking"
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The Weight of Water (2000)"Despite recurrent narrative and dramatic problems, each of Bigelow's pics provides a visual treat, and this film is no exception"
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I Dreamed of Africa (2000)"Visually gratifying but dramatically weak, the film falls short of its aspiration to be a sweeping romantic epic"
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The Perez Family (1995)"Mira Nair's consistent exploration of the search for home is admirable, but her movie is burdened by an unconvincing ensemble that's unable to elevate the serio-comic exploration of Cuban immigrants"
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High Art (1998)"Compassionate and deft as Cholodenko's helming is, pic's overall impact largely depends on its central triangle"
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Cold Comfort Farm (TV) (1995)"The fun that Schlesinger and his first-rate ensemble must have had while working on this production is infectious, for there isn't one dull -- or quiet -- moment in the film."
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Girlfight (2000)"Blends in a most satisfying manner the conventions of several genres, resulting in a coherent picture that is at once a poignant inner-city drama, a rousing sports movie, an emotional family yarn and, above all, a sweet romance"
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Mrs. Dalloway (1997)"A highly romantic, deeply melancholy drama, the film offers psychological and existential insights about the inevitable effects - and price - of life choices."
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