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A. O. Scott

United States

Becoming Cousteau (2021)

Publish Date: October 21, 2021
"[It] succeeds in restoring some of Cousteau’s luster, and also his relevance. It’s a swift-moving, detailed biography, recounting a life that was long, eventful and stippled with tragedy and regret."

The New York Times
Cry Macho (2021)

Publish Date: September 16, 2021
"A deep cut for the die-hards, a hangout movie with nothing much to prove and just enough to say, with a pleasing score and some lovely desert scenery. If the old man’s driving, my advice is to get in and enjoy the ride"

The New York Times
Annette (2021)

Publish Date: August 5, 2021
“Annette” masters its own paradoxes. It’s a highly cerebral, formally complex film about unbridled emotion (...) Utterly unreal and completely truthful."

The New York Times
Mama Weed (2020)

Publish Date: July 15, 2021
"Not even the greatest living French actress can redeem this witless crime caper"

The New York Times
In the Heights (2021)

Publish Date: June 9, 2021
"Miranda’s musical comes to the screen as an exuberant and heartfelt party (...) After more than a year of desultory streaming, anemic entertainment and panicky doomscrolling, it’s a dream come true. (...) a great movie".

The New York Times
All Light, Everywhere (2021)

Publish Date: June 3, 2021
"In a manner that is patient — and sometimes even playful — rather than polemical, 'All Light, Everywhere' contributes to debates about crime, policing, racism and accountability"

The New York Times
Swimming Out Till The Sea Turns Blue (2020)

Publish Date: May 27, 2021
"[It] demystifies historical episodes that are often presented, at least in the West, as abstractions, and personalizes large-scale events."

The New York Times
The Woman in the Window (2021)

Publish Date: May 13, 2021
"Something that intermittently looks and sounds like a good movie without ever actually being one. (...) resembles other psychological thrillers about women in distress without being terribly thrilling or psychologically insightful".

The New York Times
State Funeral (2019)

Publish Date: May 6, 2021
"The film is a haunting amalgam of official pomp and everyday experience, the double image of a totalitarian government and the people in whose name it ruled."

The New York Times
About Endlessness (2019)

Publish Date: April 29, 2021
"[It] is at once gloomy and vivid, 76 minutes worth of vignettes that are individually somber and cumulatively exhilarating."

The New York Times
Quo Vadis, Aida? (2020)

Publish Date: March 12, 2021
"Unsparing and astonishing (...) The rigorous honesty of 'Quo Vadis, Aida?' is harrowing, partly because it subverts many of the expectations that quietly attach themselves to movies about historical trauma.

The New York Times
Coming 2 America (2021)

Publish Date: March 4, 2021
"[A] genial, mostly inoffensive, sometimes quite funny sequel to a beloved comedy from way back in the 1980s."

The New York Times
Everything Is Illuminated (2005)

Publish Date: February 16, 2021
"Taken on its own, without comparison with its literary source, the movie, Mr. Schreiber's first as writer and director, is thin and soft, whimsical when it should be darkly funny and poignant when it should be devastating."

The New York Times
Bring Your Own Brigade (2021)

Publish Date: January 30, 2021
"In a way that I can’t quite explain but that I think will be clear when you see it, 'Bring Your Own Brigade' strikes me as one of the early, definitive films about the current pandemic"

The New York Times
The Most Beautiful Boy in the World (2021)

Publish Date: January 30, 2021
"I found 'The Most Beautiful Boy in the World' haunting, and also puzzling"

The New York Times
Rebel Hearts (2021)

Publish Date: January 30, 2021
"Before this film, I had never heard of the Sisters of the Immaculate Heart of Mary, and now I can’t stop thinking about them."

The New York Times
President (2021)

Publish Date: January 30, 2021
"The way this film confronts the fragility of democracy and the ever-looming possibility of violence hit home for this American viewer in a way that was both harrowing and humbling."

The New York Times
Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

Publish Date: January 29, 2021
"[It] blew me away (...) It does capture some absolutely mesmerizing musical performances (...) but it anchors them in a vivid and complicated tableau of politics, culture and city life."

The New York Times
Acasa, My Home (2020)

Publish Date: January 14, 2021
"'Acasa' is full of ideas because it contains so much life. It’s both intimate and analytical, a sensitive portrait of real people undergoing enormous change and a meditation on what that change might mean"

The New York Times
All the Pretty Horses (2000)

Publish Date: December 25, 2020
"[It] manages to be shallow and portentous at the same time (...) in spite of some thoughtful performances and a handsome sense of scale, the picture is, for the most part, as slick and superficial as a Marlboro advertisement "

The New York Times

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