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The Woman Who Left

Drama For Horacia Somorostro, living has become a veritable reclusión perpetua, an imprisonment. Life’s spins and randomness have been very difficult, vicious and inexplicable for her. The year is 1997. Princess Diana dies in a violent car crash. The world is saddened by the death of Mother Theresa. And the Philippines is gripped with fear. It has become the kidnap capital of Asia.
Author Review
United StatesUnited States
Variety
Variety
"The latest supersized opus from Filipino maximalist Lav Diaz is a powerful and, by his standards, refreshingly contained moral study"  POS
United KingdomUnited Kingdom
Screendaily
Screendaily
"'The Woman Who Left' may not represent Diaz at his absolute peak, but it’s a powerful, thoughtful melodrama that pulls you into its world and delivers a number of irresistible emotional coups"  POS
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"A succinct, poignant revenge drama (...) The Woman Who Left is a taut exercise in which every shot burns with condensed emotions and human empathy"  POS
United KingdomUnited Kingdom
The Guardian
The Guardian
"A vast, dark behemoth of mystery and anguish, as forbidding as a starless night sky (…) Rating: ★★★★ (out of 5)"  POS
United StatesUnited States
Slant
Slant
"[It] excels at capturing the grubby texture and atmosphere of ghostly estrangement (...) [It] suffers by resembling arty, didactic bloat when it most begs for a more sophisticated dramatic touch (…) Rating: ★★ (out of 4)"  NEU
United StatesUnited States
AV Club
AV Club
"'The Woman Who Left' rewards those who wait (...) The film boasts one of Diaz’s most dramatically conventional, involving, and satisfying narratives."  POS
United StatesUnited States Village Voice "An epic study of class and connections (...) The film is a story of solidarity and redemption, and its main strength is a panoramic vision of the Philippines’ socioeconomic woes."  POS
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