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Richard Lawson

Film Critic

United States

Book Club (2018)

Publish Date: May 16, 2018
"Insubstantial (...) It’s still a decent lark, peppered with sharp jokes (...) and glazed with all the affirming sentimental stuff you’re really there for."

Vanity Fair
BlacKkKlansman (2018)

Publish Date: May 14, 2018
"'BlacKkKlansman' is a neat little movie (...) An invigorating jumble of ideas and moods (...) Lee re-asserts himself once again as a vital, complex voice in cinema"

Vanity Fair
Sauvage (2018)

Publish Date: May 10, 2018
"Harrowing (...) The film achieves a sort of grace, in moments of sweetness and stillness"

Vanity Fair
Friend (2018)

Publish Date: May 10, 2018
"[It serves] as a fine showcase for two talented young actresses but narratively stalling out as it tells a familiar story."

Vanity Fair
Tully (2018)

Publish Date: May 1, 2018
"Theron is terrific (...) [Davis] is a great complement to Theron (...) 'Tully' is a lot deeper than it initially appears to be"

Vanity Fair
Hereditary (2018)

Publish Date: January 25, 2018
"The film is emotionally and intellectually terrifying (...) Collette is a force throughout, turning in a full-bodied performance"

Vanity Fair
Leave No Trace (2018)

Publish Date: January 23, 2018
"Debra Granik’s sensitive father-daughter drama features a star-making performance by Thomasin McKenzie (...) Granik has built a beautiful world of decent people"

Vanity Fair
Colette (2018)

Publish Date: January 21, 2018
"Keira Knightley shines (...) It does illustrate well what might motivate a writer (...) It’s a friendly, gregarious film"

Vanity Fair
Lizzie (2018)

Publish Date: January 21, 2018
"'Lizzie' isn’t a bad film, but it doesn’t accomplish all that it wants to. We’re never as immersed in its psychological swirl as we should be."

Vanity Fair
The Tale (TV) (2018)

Publish Date: January 20, 2018
"A bold, innovative memoir of sexual abuse (...) Genuinely brave (...) 'The Tale' shifts between past and present with an hypnotic rhythm"

Vanity Fair
Monsters and Men (2018)

Publish Date: January 20, 2018
"A quiet look at a personal moral quandary that has no easy answers, a conflict Green illustrates with sensitivity"

Vanity Fair
All the Money in the World (2017)

Publish Date: December 19, 2017
"It frankly doesn’t look very good (...) This is a strangely static, unattractive piece, a stylistic misfire (...) That’s not to say that the film isn’t compelling"

Vanity Fair
The Post (2017)

Publish Date: December 6, 2017
"Spielberg’s film is rousing and cannily made (...) The movie’s messaging is solid and persuasive, and Spielberg’s finely honed filmmaking (...) does not fail him here."

Vanity Fair
Justice League (2017)

Publish Date: November 15, 2017
"A big, ugly mess (...) The lighting is not good. The script is not interesting. The costumes are not fun. The film is, plainly stated, terrible"

Vanity Fair
Disobedience (2017)

Publish Date: September 11, 2017
"'Disobedience' is, in defiance of its title, too staid and measured to deliver the intended emotional wallop (...) Weisz and McAdams have their moments of electricity"

Vanity Fair
Roman J. Israel, Esq. (2017)

Publish Date: September 11, 2017
"Washington shines in an odd character study (...) It makes for a confusing movie. I was part moved, part bored, and part bewildered."

Vanity Fair
Molly's Game (2017)

Publish Date: September 9, 2017
"A snappy, smart thriller, anchored by a masterful Chastain (...) 'Molly’s Game' has a seriousness at its heart, a sincere admiration for Bloom’s gifted resourcefulness."

Vanity Fair
The Upside (2017)

Publish Date: September 9, 2017
"It’s a movie that offers the biggest comedian working right now, Kevin Hart, a chance to reveal previously unseen dimensions (...) Familiar but pleasant"

Vanity Fair
Battle of the Sexes (2017)

Publish Date: September 2, 2017
"[It] has a righteous kick that excuses a lot of its hokier qualities (...) As robustly played by Emma Stone, King is capable of both humor and intensity, warmth and steeliness."

Vanity Fair
Lady Bird (2017)

Publish Date: September 2, 2017
"Saoirse Ronan shines in Greta Gerwig’s deeply personal directorial debut (...) 'Lady Bird' is fun to spend time with. But the larger drama of the character’s mild arc (...) doesn’t have all that much heft without its meta context."

Vanity Fair

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