Maitland McDonagh
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Species II (1998)"Though there's some trashy fun to be had in the film's first half, this cynical sequel -- devolves into space junk even faster than the unfortunate Ross"
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Hair High (2004)"Animator Bill Plympton's seventh feature is a must-see for fans of his often witty, always scabrous, hand-drawn work."
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"The extensive CGI work is well used and the children are exceptionally well cast, especially the girls"
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Stormbreaker (2006)"Sax keeps things moving, but the best thing about the film is the British cast"
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Baise-Moi (2000)"Though it comes wrapped in a stylish French mantle of feminist rage and sexual empowerment, the picture ultimately belongs squarely in the tradition of rape revenge pictures"
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Trouble Every Day (2001)"The extremely intimate violence is more explicit than is the mainstream norm, and Dalle's mouth is the stuff of nightmares"
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Urban Legends: Final Cut (2000)"Preposterous plotting and interchangeable young actors"
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Basic (2003)"Travolta and Nielson seem to be in two different and incompatible movies."
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Senseless (1998)"There's a surprising sweetness under its crude exterior"
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"Is it funny? Sporadically"
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The Rage: Carrie 2 (1999)"It's not a cheap rip-off -- it's a credible sequel to a horror classic, and a sad reminder that some things never change."
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American Wedding (2003)"Is this sophisticated humor? No. But it is pretty entertaining"
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Ultraviolet (2006)"An all-but-incoherent mess whose main components are palpably fake-looking CGI effects, video-game-style action sequences and Milla Jovovich's admirably taut abdomen"
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Made (2001)"The film's a trifle, but a beautifully crafted one"
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Dummy (2003)"It's repetitive and obvious but somehow endearing, like a truly ugly dog with sweet eyes"
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