J.R. Jones
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Bride & Prejudice (2004)"The characters quickly succumb to stereotype"
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Love Me If You Dare (2003)I"t's a powerful psychological conceit, but Samuell subverts it at every turn with his carnivalesque style"
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S.W.A.T. (2003)"As summer shoot-'em-ups go, this is pretty well executed, with plenty of macho posing and gunfire"
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Seraphim Falls (2006)"After decades of revisionist westerns, this drama by TV veteran David Von Ancken is impressive for its stubborn classicism"
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"The best thing I can say about this limp prequel to the Farrelly brothers' 'Dumb & Dumber' is that it obliged me to check out the original, which I'd been studiously avoiding for years"
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Step Up (2006)"Any guy who sits through this date movie deserves to get to third base at least."
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Gigantic (2008)"This is loads of fun in the early stretch, as the characters are being introduced, but the story never really goes anywhere."
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Jackass: The Movie (2002)"Unfortunately I can't give this a thumbs-up or thumbs-down; I haven't yet developed an aesthetic that will accommodate a guy firing a bottle rocket from his ass."
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Noel (2004)"This ensemble drama by screenwriter David Hubbard isn't perfect, but its harsh honesty and sincere faith in humanity make it genuinely uplifting"
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Paparazzi (2004)"In essence this is a celebrity revenge fantasy, something few of us can relate to, but director Paul Abascal has the sense to keep the homilies short and the pacing fast"
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War, Inc. (2008)"Like so many satires in the Strangelove mold, this never comes close to working as a story, but its lampoon of U.S. imperialism and military privatization is so bracingly obnoxious I didn't really care"
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The Slaughter Rule (2002)"Actor David Morse establishes himself as a truly formidable presence in this powerful first feature by Alex and Andrew Smith."
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Dark Matter (2008)"Chen Shi-Zheng shows great sensitivity to the pressure and isolation felt by Chinese brains at American universities"
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Rails & Ties (2007)"Alison Eastwood, whose good looks and last name have served her well as a Hollywood actress, makes her directing debut with this mediocre cancer drama."
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The Great Buck Howard (2008)"A suitable mainstream vehicle for Malkovich's bruised aloofness."
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Burn After Reading (2008)"After the portentous 'No Country for Old Men,' Joel and Ethan Coen return to their trademark brand of cruel, misanthropic farce, and for dark laughs and hurtling narrative momentum this spy caper is their best work since 'Fargo'"
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