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Richard Whittaker

Richard Whittaker

Film Critic

United States

The Garfield Movie (2024)

Publish Date: May 24, 2024
"A disservice to both the character and the work of comic creator Jim Davis (...) Rating: ** (out of 5)"

Austin Chronicle
Gasoline Rainbow (2023)

Publish Date: May 19, 2024
"It's real and raw, and the captured conversations among the travelers and with the people they meet has a certain veracity. But at the same time, there's a certain artificiality (...) Rating: *** (out of 5)"

Austin Chronicle
Humane (2024)

Publish Date: April 25, 2024
"An eco-drama about how the rich have become convinced that even the end of the world won’t affect them (...) Rating: *** (out of 5)"

Austin Chronicle
The First Omen (2024)

Publish Date: April 5, 2024
"What Stevenson has created as director and co-writer isn’t simply a worthy precursor to the series. It’s quite possibly the most gruesome horror to be released by a major studio in decades. (...) Rating: ***1/2 (out of 5)"

Austin Chronicle
Lousy Carter (2023)

Publish Date: March 29, 2024
"Even by Byington’s lo-fi standards, 'Lousy Carter' feels ramshackle (...) Rating: ** (out of 5)"

Austin Chronicle
In the Land of Saints and Sinners (2023)

Publish Date: March 28, 2024
"There's a maudlin introspection that bears surprisingly meaningful fruit (...) Rating: *** (out of 5)"

Austin Chronicle
Dogman (2023)

Publish Date: March 28, 2024
"With Jones, it's a weirdly moving, even charming depiction of a man refusing to rail at God but instead using his broken gifts for redemption"

Austin Chronicle
Shayda (2023)

Publish Date: March 25, 2024
"Ebrahimi provides an astonishing education of what it means to be a woman fleeing an abusive relationship (...) Rating: ***1/2 (out of 5)"

Austin Chronicle
Deadland (2023)

Publish Date: March 20, 2024
"It's an unrelenting border noir whose understated delivery and brooding sensibilities really benefit by being leavened by those occasional fantastic elements."

Austin Chronicle
The Idea of You (2024)

Publish Date: March 19, 2024
"The fact that you'll care so much proves yet again that Showalter has perfected the modern rom-com"

Austin Chronicle
Cuckoo (2024)

Publish Date: March 16, 2024
"It's squishy and malformed"

Austin Chronicle
Arcadian (2024)

Publish Date: March 16, 2024
"This is, after all, [the boys'] story, and Cage steps aside so that we can see them grow and flourish"

Austin Chronicle
Invader (2024)

Publish Date: March 15, 2024
"It's deafeningly loud, immaculately constructed, and constant (...) Rating: *** (out of 5)"

Austin Chronicle
Civil War (2024)

Publish Date: March 14, 2024
"Garland’s masterful and shocking script is counterbalanced with his quiet, mannered direction"

Austin Chronicle
The Antisocial Network: Memes to Mayhem (2024)

Publish Date: March 12, 2024
"Angelini and Jones are desperately pointing out that the virtual house is on fire, and the flames have spread into the real world"

Austin Chronicle
Road House (2024)

Publish Date: March 11, 2024
"It gets in the octagon and puts on an entertaining fight. It may not be an all-timer like the original, but it’ll sure as hell leave some fun bruises"

Austin Chronicle
Azrael (2024)

Publish Date: March 11, 2024
"Weaving, who excels at this kind of character-driven action-horror, plays perfectly with our empathy, wordlessly guiding us through this damned land"

Austin Chronicle
Accidental Texan (2023)

Publish Date: March 8, 2024
"There’s an earnestness about 'Accidental Texan' that can only warm your heart. Every moment is predictable, but in Bristol’s capable hands that becomes a strength (...) Rating: *** (out of 5)"

Austin Chronicle
Molli and Max in the Future (2023)

Publish Date: February 22, 2024
"You'll be rooting for elderly Molli and Max to end the movie on their quantum couch, telling a holocamera about the time they met and why it took years and the near-death of the universe to get together (...) Rating: *** (out of 5)"

Austin Chronicle
Float (2024)

Publish Date: February 22, 2024
"'Float' rises higher than expectations due in part to the delicate cinematography by Alfonso Chin, and by the additions in LaVercombe and Lee's script (...) Rating: *** (out of 5)"

Austin Chronicle

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