Nick Schager

"A sturdy genre piece."  

"Even if historical erroneousness intermittently undermines the film’s outlandish attempts at lionization, They Died with Their Boots On endures as one of the finest Flynn-de Havilland collaborations"  

"Never was Mike Hammer's name more fitting than in Kiss Me Deadly, Robert Aldrich's blisteringly nihilistic noir."  

"For something so bleak, so purposely revolting and unsentimental, there are reservoirs of profound poetry in Alfredo Garcia"  

"A preposterous, monotonous action saga"

"A lumbering mishmash of recent disaster flicks that's as aggressively loud and obnoxious as it is tiresomely stupid."  

"A taut and often terrifying creature feature, one that censures man's foolish belief that he can have dominion over nature"  

"Despite its often-overwhelming nonsensicality, there’s ultimately something irresistibly fiendish about 'Silent Hill'"  

"Not a definitive cinematic statement on the Rwandan genocide but certainly a far preferable dramatic treatment of the atrocity than Hotel Rwanda."

"A freestyle homage to Hamlet that does away with the costumed faithfulness of Kurosawa's other Shakespeare adaptations."

"21 is a mini-Ocean's Eleven about, and for, people who are the age of its title."

"It's a sloppy, tossed-off collection of parodic gags of vampire flicks and gratuitous pop-cultural references (oh, there will be pointless Lady Gaga gags!)"

"A mega mash-up in the vein of 'Sucker Punch'"

"Jones’ engaging docuseries is a snapshot of people and systems that manipulate and exploit for gain, and the myriad others who suffer for their sins."  

"At least Taika Waititi’s latest misfire doesn’t have lovable Hitler (...) Waititi fails to imagine almost anything about the film coherently, beginning with his protagonist."  

"A gonzo movie that perfectly ridicules America’s ridiculousnes (...) 'Hello Dankness' is as bizarre as it is brilliant.  

"Whereas the film is a marvel to look at, it’s unfortunately not much in the song or story department"  

"Wholly uninterested in puffing up his subjects into an iconic rock outfit on a par with their idols Led Zeppelin and the Who, Crowe instead merely tells their story free from the constraints of rise-fall-rise clichés."  

"A film defined by its meticulously precise construction."  

"This fantasy battle between good and evil is merely a cute, minor idea with little depth and even less conscious purpose, fit for a 15-minute short rather than a feature-length narrative."