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A. O. Scott

United States

Harriet (2019)

Publish Date: October 31, 2019
"It is a rousing and powerful drama, respectful of both the historical record and the cravings of modern audiences"

The New York Times
Black and Blue (2019)

Publish Date: October 24, 2019
"Sometimes genre entertainment can illuminate troubling realities better than more earnest and self-seriously realistic films, and 'Black and Blue' belongs to that tradition."

The New York Times
Jojo Rabbit (2019)

Publish Date: October 17, 2019
"The humor is so audacious and the psychological insight at times so startling that it’s hard not to be dismayed when an easy and familiar dose of comfort is supplied at the end."

The New York Times
Gift (2018)

Publish Date: October 10, 2019
"At a time when art is relentlessly commercialized and commodified, Robin McKenna’s 'Gift' provides a gentle and welcome reminder of other values"

The New York Times
Gemini Man (2019)

Publish Date: October 9, 2019
"Whatever mystery, intrigue or charm might have percolated in the story and the performances is bleached away by the soulless literalism of the pictures."

The New York Times
Joker (2019)

Publish Date: October 3, 2019
"An empty, foggy exercise in second-hand style and second-rate philosophizing (...) the film turns out to be afraid of its own shadow, or at least of the faintest shadow of any actual relevance"

The New York Times
Dolemite Is My Name (2019)

Publish Date: October 2, 2019
"Murphy is back, and both his old gifts and some new ones are on engaging display in the rowdy, raunchy, inescapably funny 'Dolemite Is My Name,' a gleefully profane biopic"

The New York Times
The Irishman (2019)

Publish Date: September 27, 2019
"The Mob’s Greatest Hits, in a somber key. (...) monumental, elegiac tale of violence, betrayal, memory and loss. (...) big and solid — and also surprisingly, surpassingly delicate."

The New York Times
It: Chapter Two (2019)

Publish Date: September 3, 2019
"[It] drags more than it jumps, wearing out its premise and possibly also your patience as it lumbers toward the final showdown (...) Along the way there is some fun (...) to be found."

The New York Times
La flor (2018)

Publish Date: August 1, 2019
"'La Flor' is perhaps more fun to think about than to sit through, though there are some exquisitely beautiful sequences"

The New York Times
The Nightingale (2018)

Publish Date: August 1, 2019
"Though 'The Nightingale' is an effective history lesson, it is even more powerful as an ethical inquiry into the consequences of violence and the nature of justice."

The New York Times
Tel Aviv on Fire (2018)

Publish Date: August 1, 2019
"[It] sometimes feels like a sitcom season compressed into a breathless feature film"

The New York Times
I Do Not Care If We Go Down in History as Barbarians (2018)

Publish Date: July 18, 2019
"A complicated meditation on the responsibilities — and limits — of art in the face of horror (...) Iacob is energetic and persuasive in her portrayal of an embattled intellectual"

The New York Times
The Lion King (2019)

Publish Date: July 11, 2019
"If a movie could be judged solely on technique, 'The Lion King' might qualify as a great one (...) There is a lot of professionalism but not much heart. It may be that the realism of the animals makes it hard to connect with them as characters"

The New York Times
The Art of Self-Defense (2019)

Publish Date: July 10, 2019
"A wobbly sort-of satire (...) The one halfway-interesting part of this movie is Nivola’s performance"

The New York Times
Spider-Man: Far from Home (2019)

Publish Date: June 27, 2019
"The freshest parts of the story revisit some of the character’s longest-standing issues, as Peter struggles with the competing demands of normal adolescence and superheroism"

The New York Times
Yesterday (2019)

Publish Date: June 26, 2019
"It’s appealing and accessible in a way that the Beatles never really were. If it took itself — and them — a bit more seriously, it would be a lot more fun. But it wasn’t made to last."

The New York Times
The Chambermaid (2018)

Publish Date: June 25, 2019
"Its visual wit and emotional sensitivity lift it above the minimalist miserablism that drags down so many well-meaning films about modern workers."

The New York Times
Toni Morrison: The Pieces I Am (2019)

Publish Date: June 19, 2019
"[A] generous and intelligent documentary (...) [It offers] the profound pleasure of her company."

The New York Times
Ma (2019)

Publish Date: May 29, 2019
"[A] clammy, sloppy, sometimes funny thriller (...) The director and the screenwriter take a premise with all kinds of potential (...) and find various ways to mess it up, while also delivering a few jolts and laughs along the way."

The New York Times

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