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Kevin Thomas

United States

(1936)

Shakespeare-Wallah (1965)

Publish Date: December 14, 2017
"'Shakespeare Wallah' exerts a tremendous emotional pull (...) Its gentle humor, however, has a Chekhovian cast."

Los Angeles Times
The Swindle (1997)

Publish Date: September 28, 2016
"This elegant film is a work of such assurance that we can share in the pleasure Chabrol and his actors clearly experienced in making it."

Los Angeles Times
Blood Simple (1984)

Publish Date: July 28, 2016
"A gratifying, corrosive human comedy."

Los Angeles Times
Largo Winch (2008)

Publish Date: November 18, 2011
"It’s handsome, large-scale escapist fare (...) Thomas is just as enjoyable and authoritative in this mainstream fare as she is in more serious films"

Los Angeles Times
Detective Dee (2010)

Publish Date: September 2, 2011
"Bravura spectacle never overwhelms either the plot or the key characters. Chang Chia-lu’s intricate script bristles with wit and suspense; the film from start to finish is a terrific entertainment"

Los Angeles Times
Amer (2009)

Publish Date: October 29, 2010
"Consistently outrageous and relentlessly surreal, the Belgian film is, intentionally or not, frequently funny; it's also compelling and distinctive (...) Score: **** out of 5"

Los Angeles Times
The Disappearance of Alice Creed (2009)

Publish Date: August 6, 2010
"Blakeson manages to generate tension and some suspense, [but it] never rises above the mechanical and contrived, finally lapsing into the improbable"

Los Angeles Times
The Extra Man (2010)

Publish Date: August 6, 2010
"[It] isn’t in the same league as Pulcini and Berman’s landmark 'American Splendor' with Paul Giamatti as the late Harvey Pekar, but it has its moments"

Los Angeles Times
Le concert (The Concert) (2009)

Publish Date: July 30, 2010
"Mihaileanu keeps this French production flowing buoyantly (...) The film’s stars rise to the occasion admirably"

Los Angeles Times
Tokyo Twilight (1957)

Publish Date: October 4, 2007
"A Yasujiro Ozu film is instantly exhilarating because of the tension between his rigorously economic style, with its profoundly evocative images, and his warm compassion for the Japanese"

Los Angeles Times
Noriko's Dinner Table (2005)

Publish Date: July 6, 2007
"The result is a bravura, high-risk work that raises an array of provocative questions about parent-child relationships"

Los Angeles Times
The Holy Mountain (1973)

Publish Date: March 16, 2007
"Jodorowsky’s vision of chaos has acquired a powerful aura of prophecy (...) [The director has] a rich, densely visual imagination"

Los Angeles Times
El Topo (1970)

Publish Date: March 16, 2007
"'El Topo' seems just as pretentious and shallow as it did more than 35 years ago"

Los Angeles Times
Sympathy for Mr. Vengeance (2002)

Publish Date: August 19, 2005
"When it comes to serving up diabolical horror with bold, sophisticated glee, Park, best known for "Oldboy," is right up there with Dario Argento, Guillermo del Toro and Takashi Miike"

Los Angeles Times
Mysterious Skin (2004)

Publish Date: May 26, 2005
"It's hard to imagine a more serious or persuasive indictment of the horrors inflicted on children by sexual abuse."

Los Angeles Times
The Leopard (1963)

Publish Date: May 6, 2005
"A dazzling yet profoundly reflective adaptation (...) The film is a glittering triumph of personal expression at its most elegant and opulent."

Los Angeles Times
Radio (2003)

Publish Date: October 24, 2003
"A gentle film yet develops increasing dramatic tension beneath its easygoing, fair-minded surface."

Los Angeles Times
The Gleaners and I: Two Years Later (2002)

Publish Date: December 19, 2002
"'Two Years Later' is a joyous film in which Varda embraces life warmly but unsentimentally"

Los Angeles Times
Ziggy Stardust and the Spiders from Mars (1979)

Publish Date: August 22, 2002
"An excellent example of its genre, with Pennebaker capturing the excitement of what was a very special, emotion-charged occasion"

Los Angeles Times
Audition (1999)

Publish Date: November 16, 2001
"A diabolically adroit piece of filmmaking that goes even further than the films of Italy's excruciatingly macabre Dario Argento"

Los Angeles Times

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