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K. Austin Collins

K. Austin Collins

Film Critic

United States

Creed III (2023)

Publish Date: March 3, 2023
"It’s a pretty satisfying movie for keeping things simple and playing most stuff straight"

Rolling Stone
Palm Trees and Power Lines (2022)

Publish Date: March 2, 2023
"A realistic, deeply disturbing portrait (...) A movie operating on the principle that the most routine form of this violence isn't sensational, but subtle"

Rolling Stone
Your Place or Mine (2023)

Publish Date: February 10, 2023
"[This] romcom shouldn't work given the two leads' lack of sparks, yet it has a strange charm"

Rolling Stone
The Outwaters (2022)

Publish Date: February 9, 2023
"The idea behind its methods resonates, because its horrors wind up feeling practical and cosmic, winking and unknowable, all at once"

Rolling Stone
Magic Mike's Last Dance (2023)

Publish Date: February 7, 2023
"The movie's pleasures mute themselves beneath its good intentions. It wants to be about what women want. But it feels like it never asked"

Rolling Stone
80 for Brady (2023)

Publish Date: February 4, 2023
"Everyone knows Tom Brady is a freak (...) Making a warm movie about friendship as a tribute to this weirdo is an impossible task"

Rolling Stone
Full Time (2021)

Publish Date: February 4, 2023
"An urgent ode to worker solidarity"

Rolling Stone
Passages (2023)

Publish Date: January 26, 2023
"What makes 'Passages' worth watching is the ways that Sachs's careful, nearly invisible style, matched to his actors, generates all manner of sudden, fluid, intelligent sensations as we watch"

Rolling Stone
Birth/Rebirth (2023)

Publish Date: January 23, 2023
"The movie never feigns to become a mere freakshow. It works, in part, because it hurts. It works because it defers that hurt until, at long last, it cannot be avoided"

Rolling Stone
Magazine Dreams (2023)

Publish Date: January 23, 2023
"It fails as a character study because the murky inner workings of the character are all manifest, outwardly, in turns and attitudes that you can see from a mile away"

Rolling Stone
Skinamarink (2022)

Publish Date: January 10, 2023
"Quiet horror at its finest. 'Skinamarink' isn't scary because of what it depicts. It’s scary because it already knows that our imagination will do half of the work"

Rolling Stone
Alcarràs (2022)

Publish Date: January 9, 2023
"A powerful movie about a divided family fighting for its future"

Rolling Stone
The Pale Blue Eye (2022)

Publish Date: January 6, 2023
"Cooper's movies are more coherent for their actorly musculature than for ins and outs and of the stories he tells, and The Pale Blue Eye is no different (...) The direction is for the most part sturdy and straight"

Rolling Stone
M3GAN (2022)

Publish Date: January 4, 2023
"'M3GAN' is the killer-robot blair waldorf you didn't know you needed"

Rolling Stone
White Noise (2022)

Publish Date: December 30, 2022
"Baumbach overreaches in 'White Noise'. The movie is unsuccessful because its various energies eventually begin to feel mismeasured (...) There are ideas in the movie’s most spectacular failures, nevertheless"

Rolling Stone
The Eternal Daughter (2022)

Publish Date: December 14, 2022
"A bewitching ghost story that proves two Tilda Swintons are better than one"

Rolling Stone
Avatar: The Way of Water (2022)

Publish Date: December 13, 2022
"Is James Cameron’s most stunning cinematic journey yet. Yes, the self-described “King of the World” has done it again. (...) It’s a better movie than the first outing because Cameron lets things get weirder, wilder".

Rolling Stone
Emancipation (2022)

Publish Date: December 3, 2022
"A historically dubious, morally incurious piece of genre fare that satisfies as entertainment and not much else. Pure Hollywood heroism"

Rolling Stone
All the Beauty and the Bloodshed (2022)

Publish Date: November 29, 2022
"So much of this documentary is about what we cannot get back, what we were lucky enough to have when we had it, and what art preserves, accidentally and not"

Rolling Stone
Nanny (2022)

Publish Date: November 27, 2022
"[This] thriller mixes the plight of an immigrant domestic worker with African myth to deliver a powerful, reality twisting fable of our time"

Rolling Stone

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