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Walter Goodman

United States

(1927 - 2002)

Ping Pong (1987)

Publish Date: May 21, 2003
"It's just barely scrutable"

The New York Times
Masters of the Universe (1987)

Publish Date: August 8, 1997
"If you liked the toy, you'll love the movie."

The New York Times
Lonesome Dove (TV Miniseries) (1989)

Publish Date: February 5, 1989
"Most of the characters on the screen come off as sketches (...) 'Lonesome Dove' has enough action to keep us watching even if we are not caught up in its unrequited-love elements."

The New York Times
Dark Habits (1983)

Publish Date: May 6, 1988
"[Almodovar] does not quite bring the events together, but his wry attitude toward conventional morality is not lost, and the acting is sufficiently controlled to keep the characters from running away into farce."

The New York Times
The Steamroller and the Violin (1961)

Publish Date: April 22, 1988
"This sweet work almost makes one regret that Mr. Tarkovsky left his playfulness behind"

The New York Times
Through a Glass Darkly (1961)

Publish Date: January 17, 1988
"The concluding message about love and God seems imposed. But the encounters (...) are powerfully joined (...) The acting is finely modulated"

The New York Times
The Night Is Young (1986)

Publish Date: September 30, 1987
"In this, his second feature, Mr. Carax lives up to his billing as 'the natural heir of Jean-Luc Godard,' showing a taste for underground types and milieus, an inventive eye and a tolerance for tedium. (...) the movie goes surrealistic, losing whatever crime-story tension has been built up."

The New York Times
Robocop (1987)

Publish Date: July 17, 1987
"Whatever may have been in the minds of the writers, Edward Neumeier and Michael Miner, has more trouble emerging from Mr. Verhoeven's sizzling battles than poor Murphy does from his robosuit"

The New York Times
The Lost Honor of Katharina Blum, or How Violence Develops and Where It Can Lead (1975)

Publish Date: June 21, 1987
"The director, does what he can to pump some life into the plot, but it just lies there, as dormant as Katharina's honor."

The New York Times
D.O.A. (1949)

Publish Date: May 3, 1987
"Let yourself be carried along by the swift-paced direction of Rudolph Mate, the menace music of Dimitri Tiomkin..."

The New York Times
Come and See (1985)

Publish Date: February 6, 1987
"The effects have stopped working (...) Yet scene for scene, Mr. Klimov proves a master of a sort of unreal realism that seeks to get at events terrible beyond comprehension"

The New York Times
The Sacrifice (1986)

Publish Date: November 7, 1986
"[It] is a stunningly beautiful film that holds your attention even while you feel slightly stunned"

The New York Times
Caravaggio (1986)

Publish Date: August 29, 1986
"The movie is a pleasure to look at and its disjointedness is a way of seizing what Mr. Jarman apparently conceives to be the wild leaps of Caravaggio's imagination"

The New York Times
The Texas Chainsaw Massacre 2 (1986)

Publish Date: August 23, 1986
"No matter how adeptly 'Chainsaw 2' was put together, it would remain just another exploitation flick for fans who get a tingle from watching blades slash into flesh and innards peep out."

The New York Times
Stand by Me (1986)

Publish Date: August 8, 1986
"Rob Reiner's direction hammers in every obvious element in an obvious script (...) What we are really seeing is the director looking constantly at his audience."

The New York Times
Meantime (TV) (1984)

Publish Date: July 23, 1986
"Leigh knows how people get along and don't get along in London's East End, but in this effort, at least, he has not managed to work that knowledge into a convincing movie."

The New York Times
Aliens (1986)

Publish Date: July 18, 1986
"A flaming, flashing, crashing, crackling blow-'em-up show that keeps you popping from your seat despite your better instincts and the basically conventional scare tactics."

The New York Times
Big Trouble in Little China (1986)

Publish Date: July 2, 1986
"[If] you should lose track of what is going on (...) don't be concerned. What matters is the stunts and the spirit, and this latest set of exotic exploits of an indomitable hero and a spunky heroine gives good value."

The New York Times
No Retreat, No Surrender (1986)

Publish Date: May 17, 1986
"The karate blows sound good but never seem to make contact. But then nothing else makes contact either."

The New York Times
Wise Guys (1986)

Publish Date: April 18, 1986
"The story may sound familiar, but the twists of script, direction and performance make it fresh."

The New York Times

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