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Ginia Bellafante

Ginia Bellafante

Film Critic

United States

(1965)

The Chicago Code (TV Series) (2011)

Publish Date: February 6, 2011
"Bribes, kickbacks, suspiciously well-compensated construction companies, organized-crime alliances (...) For the most part the flavors blend well."

The New York Times
Undercovers (TV Series) (2010)

Publish Date: September 21, 2010
"The banter between the Blooms is so full of cloying sugar substitutes and so devoid of any real tension that there is no voyeuristic thrill to be had"

The New York Times
Pretty Little Liars (TV Series) (2010)

Publish Date: June 7, 2010
"What the show lacks in this kind of irreverence it makes up for in plain old addictive soapiness"

The New York Times
White Collar (TV Series) (2009)

Publish Date: October 22, 2009
"A winsome, quick-paced caper that is part 'Catch Me if You Can', part 'Shampoo'"

The New York Times
Eastbound & Down (TV Series) (2009)

Publish Date: February 12, 2009
"'Eastbound & Down' feels static"

The New York Times
The IT Crowd (TV Series) (2006)

Publish Date: September 29, 2008
"'The IT Crowd' packages feeble stereotypes and then hits the send button"

The New York Times
Gavin & Stacey (TV Series) (2007)

Publish Date: August 25, 2008
"The most endearing comedy about love to come to television since the Manolos were packed up and put away."

The New York Times
An American Crime (2007)

Publish Date: May 10, 2008
"An American Crime is the most brutal evocation of wrongdoing to appear in quite a while; it is hardly a pleasure to watch. But it is also one of the best television movies to appear in years."

The New York Times
Cranford (TV Miniseries) (2007)

Publish Date: May 2, 2008
"The simplicity of the series makes it hard not to feel as though you are watching children play with their Fisher-Price farm set (...) There is still not enough to sustain the five hours"

The New York Times
Terminator: The Sarah Connor Chronicles (TV Series) (2008)

Publish Date: January 12, 2008
"The series is taut, haunting, relevant and an exploration of adolescent exceptionalism rendered without the cheerleading uniforms and parody of 'Heroes'”

The New York Times
Pu-239 (2006)

Publish Date: November 17, 2007
"[A] clever premise (...) A thriller that essentially fails to unsettle. The film is at once too broad and too intimate"

The New York Times
Greek (TV Series) (2007)

Publish Date: July 16, 2007
"'Greek' is a decidedly unromantic teenage soap opera"

The New York Times
Annie Leibovitz: Life Through a Lens (2007)

Publish Date: January 3, 2007
"It is refreshing to witness Ms. Leibovitz speak openly about her life"

The New York Times
Futurama (TV Series) (1999)

Publish Date: March 29, 1999
"The show lacks the vision of 'The Simpsons', the snappy rhythm and the kind of far-reaching humor that keep it dizzyingly smart even after a decade on the air."

Time
My So-Called Life (TV Series) (1994)

"The series brought us the experience of adolescence outside the bounds of artifice, peril and pathology that had provided the context for nearly every other depiction of teenagers on television"

The New York Times
Teen Wolf (TV Series) (2011)

"Yes, boys and girls, 'Teen Wolf' has more to say than 'Jersey Shore'"

The New York Times
The L Word (TV Series) (2004)

"'The L Word' is a Sapphic Playboy fantasia (that has) shown little interest in variegating portrayals of gay experience. Instead it has seemed to work almost single-mindedly to (...) remind the viewer of the "limits and tortures of monogamy"

The New York Times
Spartacus: Gods of the Arena (TV Miniseries) (2011)

"A production even more fantastically soapy than the first, visually elevated by an apocalyptic video-game look in which the orgiastic sex and violence are presented with a studied, syncopated choreography"

The New York Times
Tin Man (TV Miniseries) (2007)

"A big, sonorous dungeons-and-dragons affair that seems at every moment to call attention to its epicness, 'Tin Man' would have benefited above all from more minimizing."

The New York Times
Robin Hood (TV Series) (2006)

"This British series is briskly paced and amusingly corny."

The New York Times

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