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Andrew Bundy

Film Critic

United States

God's Country (2022)

Publish Date: January 24, 2022
"Terse, tense and tenderly realist (...) Newton carries the film with intrepid resolve, turning in an amenable performance that's inflamed in its downcast nature, while earning wholly justified sympathy"

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Meet Me in the Bathroom (2022)

Publish Date: January 24, 2022
"'Meet Me in the Bathroom' feels like a surface-level music documentary with little mindfulness for creative expression or the shades of reality outside the fame of its subjects"

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The Exiles (2022)

Publish Date: January 22, 2022
"A flawed but essential testament to the power of image-based reporting"

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Bruised (2020)

Publish Date: November 14, 2021
"'Bruised' suffers from a lack of narrative verisimilitude on numerous levels (...) Berry’s debut very much feels like one from an artist who feels the need to expressively prove themselves, only they can’t settle on what their vision is."

The Playlist
tick, tick... Boom! (2021)

Publish Date: November 11, 2021
"It’s a movie made by theatre geeks, for theatre geeks, though feasibly to a severe fault. In other words: if you know the songs and faces on screen, you’re bound to enjoy it infinitely more than a casual movie-goer will."

The Playlist
Heels (TV Series) (2021)

Publish Date: August 4, 2021
"[1st Season Review]: Smartly, the show does take its coda about the ultimate fragility of ego-driven performance artists seriously."

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Ultrasound (2021)

Publish Date: June 15, 2021
"A low-budget Christopher Nolan (...) The movie magic isn’t always apparent (...) but (...) the narrative ideas are sure to be supportively enriched by every rewatch."

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Love, Death + Robots. Vol. 2 (TV Miniseries) (2021)

Publish Date: May 15, 2021
"Though its narrative reach and explorative curiosity have been lessened, 'Love, Death + Robots' still makes for a tremendously entertaining watch"

The Playlist
El Planeta (2021)

Publish Date: January 31, 2021
"A wonderfully sly feminist comedy (...) On the surface, 'El Planeta' may seem like fun Sundance junk food yet it’s so much more; a profound debut film"

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Homecoming 2 (TV Series) (2020)

Publish Date: May 18, 2020
"The new episodes of 'Homecoming' come off as sharply made but cheaply retroactive as a creative storytelling exercise, one that’s far too reliant on structural misdirection"

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Stray Dolls (2019)

Publish Date: April 9, 2020
"The film stands out as bold, original take on the kind of material that would fall flat and feel derivative without such a firm voice behind the work"

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The Plot Against America (TV Miniseries) (2020)

Publish Date: March 11, 2020
"What Simon and Burns expertly capture is the slow faint creep of fascism and the sinister way it suddenly seems to engulf our lives."

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Luxor (2020)

Publish Date: January 27, 2020
"The visible insecurity and tender imperfection of Riseborough’s performance are powerfully effective"

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Yalda, a Night for Forgiveness (2019)

Publish Date: January 26, 2020
"[It] has dramatic momentum but leans too hard into sensationalism"

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Jumbo (2020)

Publish Date: January 25, 2020
"Merlant completely commits to a role that might produce little empathy in lesser hands, but “Jumbo” doesn’t have enough narrative substance, supernatural or otherwise"

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This Is Not a Burial, It's a Resurrection (2019)

Publish Date: January 24, 2020
"[Mosese] has a vivid eye so confident that cinephiles will find themselves falling into his vision (...) [It] is that rare gem of a film that falls into an unclassifiable category"

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1982 (2019)

Publish Date: September 8, 2019
"Mouaness’ feature-length debut as a filmmaker is audacious and admirable; it’s very well made, impressively staged and shot with an artistic eye for the smallest of details, but it still reads as emotionally distant"

The Playlist
The Shadow of Violence (2019)

Publish Date: September 7, 2019
"Sadly, despite its best intentions, “Calm With Horses”— the directorial debut of BBC director Nick Rowland — comes off as a try-hard Ken Loach movie packed with elements of a stylish crime flick"

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Deadwood: The Movie (TV) (2019)

Publish Date: May 18, 2019
"[It] is one of the most immensely satisfying series finales in TV history (...) A contemporary masterpiece of American Western mythology"

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Decade of Fire (2019)

Publish Date: May 5, 2019
"The academically driven documentary is emotionally admirable— every face captured on camera, and all of the expressed accountings being distinct and memorable."

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