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Damon Wise

Film Critic

United States

Anora (2024)

Publish Date: May 21, 2024
" A film of three parts that accelerates at speed, cruises at high altitude for a surprisingly long time, then comes back down to earth with a deeply affecting and almost unbearably melancholy coda"

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The Substance (2024)

Publish Date: May 19, 2024
"A riotous, dreamlike horror-thriller that ends in a delirious symphony of blood, guts and otherwise undefinable viscera."

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Armand (2024)

Publish Date: May 18, 2024
"'Armand' doesn’t dig especially deep into the human psyche, finally falling into a strange no man’s land between intense character drama and jet-black comedy."

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Christmas Eve in Miller's Point (2024)

Publish Date: May 17, 2024
"It captures the Holiday spirit (...) [It] is a trip for anyone willing to roll with it, and more than cements Taormina as a talent to watch"

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Megalopolis (2024)

Publish Date: May 16, 2024
"Coppola’s mad modern masterwork reinvents the possibilities of cinema. (...) Megalopolis is something of a mess; unruly, exaggerated and drawn to pretension like a moth to a flame. It is also, however, a pretty stunning achievement"

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On Becoming a Guinea Fowl (2024)

Publish Date: May 16, 2024
"A slow-burn drama builds, rather stealthily, to an unexpectedly emotional climax"

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Ghost Trail (2024)

Publish Date: May 15, 2024
"With the icily intelligent 'Les fantômes', Millet amplifies the agony, applying it to a whole generation of Syrians left picking up the pieces of their once-normal lives"

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Back to Black (2024)

Publish Date: April 9, 2024
"An unexpectedly complex portrait (...) The musical biopic format doesn’t quite do it justice, but it would make one hell of an opera."

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Omni Loop (2024)

Publish Date: March 18, 2024
"History repeats itself in this ingenious but surprisingly heartfelt sci-fi, which takes the premise of 'Groundhog Day' and fashions from it a poignant statement about life and mortality."

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Grand Theft Hamlet (2024)

Publish Date: March 12, 2024
"The premise is a winner, and there’s a lot to enjoy as Mark and Sam talk iambic pentameters while bullets fly, planes crash and bazookas unload"

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We Were Dangerous (2024)

Publish Date: March 9, 2024
"It never quite comes together as the wry, subversive coming-of-age movie that it might have been, but the performances are powerful enough in Josephine Stewart-Te Whiu's debut that its emotional heft is surprisingly indelible"

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Timestalker (2024)

Publish Date: March 8, 2024
"An ambitious project that not only works, it coheres in a way that cements Lowe as a genuine and quite visionary comedic talent"

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Cabrini (2024)

Publish Date: March 8, 2024
"A story worth telling, and its solemn, old-school storybook stylings are actually quite refreshing in the modern age"

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Spaceman (2024)

Publish Date: February 21, 2024
"The kind of very dour relationship drama that would have defeated any A-lister, and indeed did when George Clooney starred in Steven Soderbergh’s badly received remake of 'Solaris'"

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Dune: Part Two (2024)

Publish Date: February 21, 2024
"[It] would be an epic achievement from any other director, but it feels that there is something bigger, better and obviously more decisive to come in the third and hopefully final part of the trilogy"

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Made in England: The Films of Powell and Pressburger (2024)

Publish Date: February 21, 2024
"It’s hard to imagine a more heartfelt tribute, and it’s to Scorsese’s credit that, in his 80s, he’s put aside so much time to wave the Union Jack for The Archers"

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Meanwhile on Earth (2024)

Publish Date: February 16, 2024
"An endearingly surreal meditation on loss"

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Bob Marley: One Love (2024)

Publish Date: February 8, 2024
"The problem with is that its makers still don’t quite know how to deal with Bob Marley (...) But his music still sounds amazing (...) It may not catch a fire, but if it keeps the flame alive, well, maybe that’ll be enough"

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A Real Pain (2024)

Publish Date: January 22, 2024
"The film is proof that Eisenberg has ready to transcend the label of actor-director"

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Winner (2024)

Publish Date: January 21, 2024
"Thanks in part to a terrific performance by Emilia Jones, 'Winner' justifies every minute —and could even use a few more"

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