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Sam Fragoso

United States

Mike Wallace Is Here (2019)

Publish Date: February 2, 2019
"A movie that sits at the intersection of long-form journalism and riveting documentary (...) Without reducing his film to didacticism, Belkin places Wallace’s career in a larger context of contemporary media"

The Wrap
Honey Boy (2019)

Publish Date: January 25, 2019
"LaBeouf honestly portrays a fractured life and a recovery in progress (...) [It] is not an act of justification. It does not rationalize his decisions. But it is a reminder that LaBeouf is here, and unafraid of what’s to come."

The Wrap
The Chaperone (2018)

Publish Date: September 23, 2018
"It lacks fire and fervor (...) Röhrig and McGovern have curious chemistry (...) Much of 'The Chaperone' unfurls like a standard TV movie"

The Wrap
Hold the Dark (2018)

Publish Date: September 12, 2018
"This chilly Netflix crime drama feels like a letdown (...) A thriller that starts strong before running out of gas (...) Although the actors are all unequivocally gifted, no one shines"

The Wrap
Loro 1 (2018)

Publish Date: September 6, 2018
"A film that fluctuates between brash and silly, profound and misguided (...) Sorrentino works his magic to lure us in"

The Wrap
Loro 1 (2018)

Publish Date: September 6, 2018
"'Loro' is the definitive Paolo Sorrentino film to date. It’s brash, stylish, and silly. It oscillates back and forth between horny and human, profound and misguided. It’s a glorious mess."

The Wrap
Uncle Drew (2018)

Publish Date: June 19, 2018
"Irving is solid in the title role (...) The film routinely gets bogged down in its plodding plot (...) There isn’t one surprising turn here"

The Wrap
Hearts Beat Loud (2018)

Publish Date: January 25, 2018
"Even when the script missteps, there’s never an unwatchable moment here. It’s hard to go wrong when you have Offerman and Danson cracking jokes and drinking together."

The Wrap
Pity (2018)

Publish Date: January 19, 2018
"It’s the details that make Makridis’ sophomore feature worth enduring"

The Wrap
One of Us (2017)

Publish Date: September 11, 2017
"There’s intimacy on screen that other documentaries only dream of creating (...) The perfect balance between informal, fly-on-the-wall chatter, and rigorous, journalistic questioning."

The Wrap
The Nut Job 2: Nutty by Nature (2017)

Publish Date: August 10, 2017
"'The Job 2: Nutty by Nature' kinda works. In fact, it didn’t take long for this fleet-footed sequel, spry and charming, to win me over (...) All I remember is my smile walking out of the theater."

The Wrap
Joshua: Teenager vs. Superpower (2017)

Publish Date: May 27, 2017
"This portrait of him comes off as pallid and repetitive (...) This is a film of highs and lows; there is no middle ground, no moment of silence, reflection or introspection."

The Wrap
Diary of a Wimpy Kid: The Long Haul (2017)

Publish Date: May 15, 2017
"The earlier entries were smart and sweet examinations of being a kid, but this time we get clichés and oversimplification"

The Wrap
The Disaster Artist (2017)

Publish Date: March 15, 2017
"James Franco celebrates bad movies in a good one (...) [A] funny and sweetly sad portrait"

The Wrap
Baby Driver (2017)

Publish Date: March 14, 2017
"While the first half of the film unfurls with the precision of a Swiss army knife, the back half is jagged, unfocused (...) By the end it’s a one-trick pony of a movie, but at least it’s a damn fine trick."

The Wrap
Collide (2016)

Publish Date: February 24, 2017
"'Collide' has been sitting on the shelves for over three years; no need to get up now and see it."

The Wrap
The New Radical (2017)

Publish Date: January 25, 2017
"By nature of its central subject, it’s a piece of work that infuriates and excites. It’s a deeply upsetting movie, and then, sporadically, a hopeful one."

The Wrap
Incarnate (2016)

Publish Date: December 2, 2016
"Strident rhetoric is required for describing Brad Peyton's latest film, a maddening hodgepodge of ideas that range from undercooked to unoriginal."

The Wrap
Ouija: Origin of Evil (2016)

Publish Date: October 18, 2016
"It’s a sort of cinematic heart attack — irreparably damaging to the body and mind, with a slow recovery time."

The Wrap
Max Steel (2016)

Publish Date: October 14, 2016
"Despite its sizable production costs, “Max Steel” is a spectacle without the spectacle, an autumnal, amorphous blockbuster that just sits there"

The Wrap

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