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Kyle Smith

Film Critic

United States

Boy Kills World (2023)

Publish Date: April 25, 2024
"[It] should have stuck to gonzo comedy and been 15 minutes shorter. But Mr. Mohr exhibits the kind of flair for comic action that makes him an obvious choice to direct a big-budget Hollywood superhero epic"

The Wall Street Journal
We Grown Now (2023)

Publish Date: April 18, 2024
"The heartfelt performances, especially by Blake, Ms. Smollett and Ms. Merkerson, give the film a sad, lovely glow"

The Wall Street Journal
Coup de chance (2023)

Publish Date: April 4, 2024
"Woody Allen's best work in many years"

The Wall Street Journal
Godzilla x Kong: The New Empire (2024)

Publish Date: March 28, 2024
"I guess, if you’re wowed by soulless CGI chaos. Thrilling? Not really. At the end, I was left feeling the way Kong does at the beginning: tired and bored"

The Wall Street Journal
Arthur the King (2024)

Publish Date: March 19, 2024
"Un homenaje a los trabajadores duros, decentes y humildes del mundo"

The Wall Street Journal
The Animal Kingdom (2023)

Publish Date: March 14, 2024
"There's an opportunity for a turn to the satirical... Instead of being expansive in its imagination, however, 'Le règne animal' retreats into the fangless realm of cliché"

The Wall Street Journal
Cabrini (2024)

Publish Date: March 7, 2024
"Its visual splendor is matched by the strong moral convictions and absence of cynicism that characterized many movies of the 1940s, when Catholic heroes were all over the screen"

The Wall Street Journal
Asleep in My Palm (2023)

Publish Date: March 1, 2024
"A virtuoso debut feature. The younger Mr. Nelson has fashioned a powerful fable, something like a contemporary take on John Steinbeck"

The Wall Street Journal
About Dry Grasses (2023)

Publish Date: February 23, 2024
"[It] is characteristically extravagant and tiny at the same time, like a 10-story museum devoted to paper clips"

The Wall Street Journal
Ennio: The Maestro (2021)

Publish Date: February 9, 2024
"The bad news about the Ennio Morricone documentary is its length: 2 1/2 hours. Far too short!"

The Wall Street Journal
Suncoast (2024)

Publish Date: February 2, 2024
"Forswearing anything like a pedantic message and giving the audience plenty of reasons to be sympathetic to the viewpoints of all three characters, Ms. Chinn has created a heartbreakingly real coming-of-age story"

The Wall Street Journal
Ibelin (2024)

Publish Date: February 2, 2024
"Strangely moving"

The Wall Street Journal
The Peasants (2023)

Publish Date: January 29, 2024
"With its feel for both beauty and ugliness, the film transports us to this unfamiliar milieu with a richness rarely attempted in the cinema anymore"

The Wall Street Journal
Miller's Girl (2024)

Publish Date: January 25, 2024
"Only a generous grader would award this script anything better than a D-plus"

The Wall Street Journal
Freud’s Last Session (2023)

Publish Date: January 2, 2024
"Tiresome digressions mixed in with philosophical banalities add up to a pointless, inert drama"

The Wall Street Journal
American Fiction (2023)

Publish Date: December 15, 2023
"I'd say it's sharp and funny, but its targets are low-hanging, and the film's writer-director, Cord Jefferson, is hardly the first to take a poke at them"

The Wall Street Journal
Shayda (2023)

Publish Date: December 1, 2023
"Though its characters may seem refreshing because they don't fit the Hollywood stereotype, they are still just types who lack depth or shading"

The Wall Street Journal
Silent Night (2023)

Publish Date: December 1, 2023
"The movie may sound ingenious, but the gimmick goes stale quickly"

The Wall Street Journal
Mami Wata (2023)

Publish Date: September 29, 2023
"Cinema's power to transport is vividly on display in [this] eerie but beautiful visit to a rich and unfamiliar setting"

The Wall Street Journal
Flora and Son (2023)

Publish Date: September 21, 2023
"Heart and soul suffuse every scene of this modest, perfect picture"

The Wall Street Journal

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