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Ciara Wardlow

Film Critic

Julia (TV Series) (2022)

Publish Date: April 1, 2022
"[1st Season Review]: While there's definitely still room for growth, 'Julia' is, all things considered, a well-written, superbly acted, charmer of a show. I can definitely imagine enjoying another serving"

rogerebert.com
The Thing About Pam (TV Series) (2022)

Publish Date: March 8, 2022
"On one hand, 'The Thing About Pam' maintains a comedic edge, but on the other, it often backs away from truly committing to the bit"

rogerebert.com
Asking for It (2021)

Publish Date: March 4, 2022
"Much of the cast, and Clemons especially, are clearly talented. But they cannot create something out of nothing, which is precisely what the film gives its ensemble (...) Rating: **** (out of 4)"

rogerebert.com
The Sky Is Everywhere (2022)

Publish Date: February 11, 2022
"The visual craftsmanship is stunning, and fans of director Josephine Decker's work in particular might find something to enjoy here, but as a story it quickly buckles under its own weight (…) Rating: *½ (out of 4)"

rogerebert.com
How I Met Your Father (TV Series) (2022)

Publish Date: January 19, 2022
"'How I Met Your Father' feels like watching the copy of a copy of a copy. It’s enough to fulfill a nostalgic craving in the most superficial sort of way, but far too flimsy to do anything else"

rogerebert.com
Women of the Movement (TV Series) (2022)

Publish Date: January 5, 2022
"While still effective on the whole (...) the series from creator Marissa Jo Cerar suffers from a chronic lack of focus that presents a strange contrast to the clear messaging of its title (...) Rating: *** (out of 4)"

rogerebert.com
Harlem (TV Series) (2021)

Publish Date: December 3, 2021
"'Harlem' hits a sweet spot of creating flawed but empathetic characters—the core of their struggles are deeply relatable, but they are also entertainingly petty and imperfect"

rogerebert.com
Suspense (S) (1913)

Publish Date: September 14, 2018
"Weber and her work were important in helping cinema establish itself as a respectable, mainstream form of entertainment (...) she really knew how to use the camera and the particular qualities of the cinematic form to elicit a desired emotional response in an audience."

Film School Rejects
The Birth of a Nation (1915)

Publish Date: September 14, 2018
"It might be tempting to just try to forget about it and pretend like it didn’t happen (...) It’s, in a number of regards, a horrendously ugly film with an ugly history, but it’s our history, and it’s important to know it."

Film School Rejects
Earth (Zemlya) (1930)

Publish Date: September 14, 2018
"It’s perhaps best described as visual poetry. In pacing and style, it can very much be seen as a precursor to the works of Andrei Tarkovsky."

Film School Rejects
Sunrise (1927)

Publish Date: September 14, 2018
"Murnau’s uncanny ability to visualize his character’s emotional states and inner conflicts is unparalleled."

Film School Rejects
Sir Arne's Treasure (1919)

Publish Date: September 14, 2018
"It’s beautiful, it’s tragic, and it’s a reminder that in terms of artistry, Scandinavian cinema was a force to be reckoned with in the 1910s."

Film School Rejects
Metropolis (1927)

Publish Date: September 14, 2018
"Featuring visual effects and cinematic techniques that are still intriguing and impressive to the modern viewer, Metropolis is epic in every sense of the word (...) the scope of its influence, particularly in the realm of science fiction, is remarkable."

Film School Rejects
Battleship Potemkin (1925)

Publish Date: September 14, 2018
"[Eisenstein] was not just one of the era’s greatest filmmakers, but greatest theorists (...) [Potemkin] is easily his most effective film."

Film School Rejects
The Lodger (1927)

Publish Date: September 14, 2018
"The same Hitchcock you know and love, only silent."

Film School Rejects
The Cabinet of Dr. Caligari (1920)

Publish Date: September 14, 2018
"it’s an exemplary study in atmosphere, and its influence in terms of narrative structure can hardly be overstated within the suspense genre."

Film School Rejects
Häxan: Witchcraft Through the Ages (1922)

Publish Date: September 14, 2018
"Part docudrama of the history of witchcraft, part social commentary, this indefinable film laces incredibly disturbing imagery with pitch black humor. You will have nightmares and also laugh. "

Film School Rejects
The Gold Rush (1925)

Publish Date: September 14, 2018
"Chaplin claimed that The Gold Rush is the film he would most like to be remembered for, so we’re going to honor his wishes. And it’s not exactly hard to do, because it’s one of his greatest works."

Film School Rejects
Sherlock Jr. (1924)

Publish Date: September 14, 2018
"While The General is good, I personally think Sherlock, Jr. is not just better, but way more interesting and innovative (...) It’s the sort of film that still feels like a technical marvel (...) and that’s pretty incredible."

Film School Rejects
Safety Last! (1923)

Publish Date: September 14, 2018
"Though Lloyd has not stuck around in public memory the way of Chaplin or Keaton, Safety Last! is an excellent introduction to one of the silent era’s most under-appreciated comedic geniuses."

Film School Rejects

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