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Leonard Klady

Film Critic

United States

I Still Know What You Did Last Summer (1998)

Publish Date: November 8, 1998
"Purists will find the pic's obviousness disappointing, but there's no question that the film delivers a sufficient shock quotient to satisfy its youthful target audience"

Variety
Ever After (1998)

Publish Date: July 27, 1998
"A lush, romantic reinvention of the story (...) Barrymore continues to prove herself as a performer of extraordinary range and charisma"

Variety
Small Soldiers (1998)

Publish Date: July 9, 1998
"'Small Soldiers' is a muddle of violence and sermonizing that doesn’t achieve its intended comic edge (...) The film never finds the right tone"

Variety
Lethal Weapon 4 (1998)

Publish Date: July 8, 1998
"It matters little that the film is rife with non sequiturs, nonsense and nihilistic violence, because its heroes are so darn buoyant and charming"

Variety
Wild Things (1998)

Publish Date: March 17, 1998
"Sly, torrid and original, pic is certain to shake up an otherwise complacent marketplace (...) The picture is chock-full of surprise and unexpected humor to leaven its thriller trappings"

Variety
Deep Rising (1998)

Publish Date: January 28, 1998
"An old-fashioned B movie with A-budget effects (...) As such, the film is better than average at delivering the chills"

Variety
For Richer or Poorer (1997)

Publish Date: December 7, 1997
"Pic makes its case in such an obvious and ham-fisted manner that only the most forgiving of audiences will accept it whole"

Variety
Scream 2 (1997)

Publish Date: December 7, 1997
"Visceral, witty and appropriately redundant"

Variety
Free Willy 3: The Rescue (1997)

Publish Date: August 8, 1997
"A decided entertainment improvement over the preceding outing (...) A compelling, adult human drama"

Variety
Hercules (1997)

Publish Date: June 16, 1997
"It's a winning tall tale, cleverly told and wonderfully voiced (...) John Musker and Ron Clements (...) bring 'Hercules' the vitality and insouciance that make Disney an undisputed champ in the arena"

Variety
The Lost World: Jurassic Park (1997)

Publish Date: May 25, 1997
The dinosaur creations are even better than those in the first film --- credible, breathtaking and frightening. As for the rest, every department pales by comparison.

Variety
Fierce Creatures (1997)

Publish Date: January 19, 1997
"The film is brisk, smart and bawdy"

Variety
Everyone Says I Love You (1996)

Publish Date: December 1, 1996
"It’s a cinematic oxymoron — complex, bold and audacious and simultaneously simple, guileless and sublime"

Variety
The Ghost and the Darkness (1996)

Publish Date: October 7, 1996
"A classy, high-gloss yarn with sterling production values, fine performances and breathtaking vistas (...) The picture’s conclusion doesn’t really provide catharsis"

Variety
The Glimmer Man (1996)

Publish Date: October 7, 1996
"[It] delivers the jolts but lacks the juice necessary for high-voltage entertainment."

Variety
The First Wives Club (1996)

Publish Date: September 16, 1996
"At its core, the film is a celebration of its star trio as consummate performers. In that respect, 'First Wives Club' is a highly enjoyable movie romp."

Variety
Maximum Risk (1996)

Publish Date: September 16, 1996
"It’s a visceral delight that refuses to be deterred by niceties of plot or character consistency and prefers sweat to emotion"

Variety
Executive Decision (1996)

Publish Date: March 10, 1996
"Ultimately, it’s the film’s sly irony that sets it a notch above similar actioners (...) A definite spring surprise"

Variety
Fargo (1996)

Publish Date: February 11, 1996
"Joel and Ethan Coen manage the precarious balancing act of respecting genre conventions and simultaneously pushing them to an almost surrealistic extreme."

Variety
City Hall (1995)

Publish Date: February 4, 1996
"At its best, the picture conveys the visceral energy of city politics, in which problem-solving is more common than air"

Variety

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