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Dominican Rep. Light Musicshort filmdocumentary
Documentary
Rhodes plays with our preconception of film by presenting the soundtrack as a series of horizontal and vertical lines that were drawn with pen and ink on the optical edge of the filmstrip. These are projected onto two opposite facing screens in a hazy room. As the films roll, they appear as an ‘optical soundtrack’. What the viewer hears, on the other hand, is the audible equivalent of the alternating images on the screens. The space ... [+]
