Ellen Gray

"Costner’s a master at engendering sympathy for potentially unsympathetic positions (...) and 'Yellowstone' isn’t subtle in setting up the opposition"  

"You might come to 'One Strange Rock' for its host (...) Will Smith, but you’ll stay for the astronauts. The visuals in 'One Strange Rock', are beautiful, occasionally strange, sometimes even otherworldly."  

"What 'The Bold Type' does, smartly, is give us a glimpse of what the battle to stay in business [journalism] looks like."  

"[3rd Season Review]: Ticks all the Brit drama boxes and still manages to stand out from the mysteries some of us can’t get enough of"  

"Anne’s never been a simple character. McNulty doesn’t play her as one."  

"The not-so-good news about 'Prison Break' is that the suspension of disbelief it requires is simply a bridge too far (...) [It is] action-packed but emotionally unsatisfying"  

"It feels like a good fit for the franchise."  

"I watch some disturbing things in this job, but I can't remember the last time anything left me as shaken as 'Time: The Kalief Browder Story'."  

"I've seen only one episode (...) It has a good cast, though, and for all its comic-book trappings, its effort to find some fun in a fickle economy could make it a good fit with its lead-in"  

"Very sweet, very routine"  

"What they'll see is a film that feels bigger, if not necessarily better, than the original."

"[It] finds plenty to say, though, particularly in the final two hours, when Olivia Harrison's honesty contributes mightily to Scorsese's portrait of an artist more interesting than some of us may have realized.

"Personally, I have even less interest in boxing than I do in those other worlds, so when I say I swallowed most of the 13-episode first season of FX's new boxing drama,' Lights Out' in a couple of marathon gulps, it's saying something."