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Harry Windsor

Film Critic

United States

Waiting for the Barbarians (2019)

Publish Date: September 6, 2019
"[A] stately, horrific drama (...) It’s easy to read the film as a not particularly subtle metaphor for fascism (...) Rating: *** (out of 5)"

The Guardian
Iron Fists and Kung Fu Kicks (2019)

Publish Date: August 16, 2019
"It serves as an illuminating, passionately argued tribute to the beauty of martial-arts cinema and its continuing evolution"

The Hollywood Reporter
Hearts and Bones (2019)

Publish Date: August 16, 2019
"Lawrence proves himself a very able director of actors. Appearing on camera for the first time, Luri gives a detailed, hugely likeable performance"

The Hollywood Reporter
Sequin in a Blue Room (2019)

Publish Date: July 22, 2019
"[It] feels very much of the moment, but it’s upholstered by an impressive command of good old-fashioned craft."

The Hollywood Reporter
Queer Japan (2019)

Publish Date: July 22, 2019
"An engagingly colorful panorama (...) The doc’s consistent theme is the ways in which labels categorize (...) members of the LGBTQ community."

The Hollywood Reporter
Danger Close: The Battle of Long Tan (2019)

Publish Date: June 20, 2019
"Orchestrated on an impressive scale, the movie nonetheless feels both familiar and diffuse"

The Hollywood Reporter
Mystify: Michael Hutchence (2019)

Publish Date: June 20, 2019
"An intimate snapshot of the late INXS frontman. "

The Hollywood Reporter
The Final Quarter (2019)

Publish Date: June 10, 2019
"[The filmmaker’s] decision to avoid talking heads (...) makes his case stronger by giving all the fulminators enough rope to hang themselves"

The Hollywood Reporter
Palm Beach (2019)

Publish Date: June 6, 2019
"A well-acted melodrama with glittering beachside locations and a fruit-basket palette"

The Hollywood Reporter
Lucky Grandma (2019)

Publish Date: April 29, 2019
"The film features hardly any spoken English at all, and very amusingly captures a hermetic immigrant culture (...) [Sealy] demonstrates a deft control of tone throughout"

The Hollywood Reporter
The House With a Clock in its Walls (2018)

Publish Date: September 18, 2018
"A zany, immaculately designed kids adventure (...) t’s also the closest we’ll likely get to seeing Blanchett as an action heroine outside the Marvel universe"

The Hollywood Reporter
The Nun (2018)

Publish Date: September 5, 2018
"It gives us characters whose interactions with each other feel less than detailed, and who are more archetypal than real. But it’s good clean fun nevertheless"

The Hollywood Reporter
Seeds (2017)

Publish Date: July 23, 2018
"A well-observed, unhurried portrait of an isolated prepubescent"

The Hollywood Reporter
Jirga (2018)

Publish Date: June 29, 2018
"It feels a little obvious and even patronizing (...) The character registers more like a vessel for a moral lesson than flesh and blood"

The Hollywood Reporter
Making the Grade (2017)

Publish Date: April 30, 2018
"A gently amusing mosaic (...) A love letter to piano teaching"

The Hollywood Reporter
Ghostbox Cowboy (2018)

Publish Date: April 25, 2018
"[It] feels frighteningly real (...) The film’s immediacy is aided by Maringouin's use of documentary techniques"

The Hollywood Reporter
Man Made (2018)

Publish Date: April 24, 2018
"A sensitive snapshot of four lives in transition (...) The humanity granted to each of the partners and their families reps one of the film's most consistent strengths"

The Hollywood Reporter
Bethany Hamilton: Unstoppable (2018)

Publish Date: April 24, 2018
"The whole thing looks as glossy as any of the filmmaker's spots for Nike, and though surf competition is not exactly suspenseful (...) the many vivid sequences on the waves are enough to justify the pic's presence on the big screen"

The Hollywood Reporter
The Guernsey Literary and Potato Peel Pie Society (2018)

Publish Date: April 12, 2018
"A return to form for Mike Newell (...) Buoyed by a reliably appealing star turn from James (...) [A] handsome tearjerker"

The Hollywood Reporter
Swinging Safari (2017)

Publish Date: February 22, 2018
"Crass, colorful and hanging together by the barest of threads (...) An affectionate procession of period trappings defined by their bad taste"

The Hollywood Reporter

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