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Stephen Holden

Film Critic

United States

(1941)

Girl Asleep (2015)

Publish Date: September 28, 2016
"As it seesaws between Greta’s conscious and unconscious minds, the movie begins to feel like a waking dream."

The New York Times
Denial (2016)

Publish Date: September 28, 2016
"The absence of an emotional catharsis in the film, efficiently directed by Mick Jackson (...) from a screenplay by the British playwright David Hare, leaves a frustrating emptiness at its center."

The New York Times
Miss Stevens (2016)

Publish Date: September 14, 2016
"Modest, warmhearted (...) Ms. Rabe’s beautifully balanced performance reminds you that people never really grow up."

The New York Times
White Girl (2016)

Publish Date: August 31, 2016
"The movie has what seems to be a heart, although you can’t be sure."

The New York Times
The Light Between Oceans (2016)

Publish Date: August 31, 2016
"The film's solemn visual rhythms exert an almost hypnotic spell that for a time gives a heroic dimension to a story as emotionally fraught as a vintage Bette Davis melodrama"

The New York Times
Kate Plays Christine (2016)

Publish Date: August 22, 2016
"When we finally reach the suicide itself and Ms. Sheil hesitates to pretend to shoot herself, 'Kate Plays Christine' feels like an exploitative stunt."

The New York Times
Ben-Hur (2016)

Publish Date: August 17, 2016
"The best thing about the reimagined 'Ben-Hur' (...) is that it delivers a contest as thunderously stirring as any action sequence from the 'Fast and Furious' franchise"

The New York Times
Spa Night (2016)

Publish Date: August 17, 2016
"The spa is a potent metaphor for the converging social currents and generational tensions in a culture for whom material success trumps any hopes of self-fulfillment."

The New York Times
The Little Prince (2015)

Publish Date: August 3, 2016
"'The Little Prince' is really a movie within a movie; the author's delicate, fanciful story is folded into a harsh, modernist commentary on depersonalization and conformity in the contemporary workplace."

The New York Times
Indignation (2016)

Publish Date: July 27, 2016
"'Indignation' might be dismissed as a small, exquisite period piece, but it is so precisely rendered that it gets deeply under your skin"

The New York Times
Equals (2015)

Publish Date: July 14, 2016
"A dystopian sci-fi snooze that suffers from imagination deficit disorder"

The New York Times
The Infiltrator (2016)

Publish Date: July 11, 2016
"'The Infiltrator' is (...) a good yarn that, when it catches its breath, allows Mr. Cranston to convey the same ambivalence and cunning he brought to 'Breaking Bad' and 'All the Way'."

The New York Times
Bang Gang (A Modern Love Story) (2015)

Publish Date: June 15, 2016
"'Bang Gang' goes out of its way to avoid stereotyping (...) Its blasé attitude, however, goes only so far"

The New York Times
Diary of a Chambermaid (2015)

Publish Date: June 8, 2016
"Has serious narrative glitches and a shaky timeline, but at least it is true to the bitterly misanthropic spirit of Octave Mirbeau's 1900 novel"

The New York Times
From Afar (2015)

Publish Date: June 7, 2016
"Masterly feature debut of the Venezuelan filmmaker Lorenzo Vigas"

The New York Times
Alice Through the Looking Glass (2016)

Publish Date: May 25, 2016
"The best and maybe the only way to appreciate Alice Through the Looking Glass is to surrender to its mad digital excess and be whirled around through time and space in a world of grotesque overabundance"

The New York Times
Manhattan Night (2016)

Publish Date: May 18, 2016
"DeCubellis’s screenplay is utterly lacking in style (...) The difference between the film and its source is the difference between 'night' and 'nocturne'."

The New York Times
Last Days in the Desert (2015)

Publish Date: May 11, 2016
"Whether or not you accept the tenets of Christianity, Last Days in the Desert, Rodrigo García’s austere depiction of the temptations of Christ, offers a quietly compelling portrait of the human side of Jesus"

The New York Times
Sunset Song (2015)

Publish Date: May 11, 2016
"Like most of Mr. Davies’s films, 'Sunset Song' makes you see the world through his sorrowful eyes. He is a die-hard romantic, whose acute sensitivity to the passage of time conveys a bittersweet awareness of the fragility of beauty, which, for him, is synonymous with melancholy."

The New York Times
Viva (2015)

Publish Date: April 27, 2016
"An exhilarating hybrid of Social Realism and feel-good aspirational entertainment (...) It infuses a too-familiar story with so much heart that you surrender to its charm and forgive it for being unabashedly formulaic"

The New York Times

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