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Siddhant Adlakha

Siddhant Adlakha

Film Critic

United States

She Looks Like Me (2024)

Publish Date: March 17, 2024
"An intriguing tale of two young girls who are more alike than they know, but whose on-screen stories feel disconnected."

Variety
The American Society of Magical Negroes (2024)

Publish Date: March 15, 2024
"Has a fiery premise, but tepid execution leaves its satire feeling lukewarm"

Mashable
Nocturnes (2024)

Publish Date: March 14, 2024
"A hypnotic documentary about moths unfolds to reveal climate change concerns as well (...) It makes its case poetically and powerfully"

Variety
The Fall Guy (2024)

Publish Date: March 13, 2024
"A self-reflexive love letter to Hollywood stunt work, The Fall Guy is the perfect vehicle for Ryan Gosling’s comedic timing – not to mention, his romantic charm alongside an equally dialed-in Emily Blunt."

IGN
Grand Theft Hamlet (2024)

Publish Date: March 12, 2024
"'Grand Theft Auto' meets Shakespeare in hilarious, moving doc"

Mashable
We're All Gonna Die (2024)

Publish Date: March 9, 2024
"Burch and Rodrigues do enough emotional heavy lifting to imbue the movie with a sense of recognizable humanity"

Variety
The Queen of My Dreams (2023)

Publish Date: March 9, 2024
"It does little to separate itself, thematically or stylistically, from a now repetitive form of 'third culture' storytelling"

Variety
How to Build a Truth Engine (2024)

Publish Date: March 8, 2024
"Friedrich Moser's film bolsters the need for rigorous journalism before failing to live up to those standards"

Variety
High Tide (2024)

Publish Date: March 7, 2024
"It's a radiant, heartfelt performance that not only keeps 'High Tide' interesting, but makes it feel exuberant on occasion too"

Variety
Cuckoo (2024)

Publish Date: February 28, 2024
"It's incredibly strange and deviously fun"

Mashable
Shambhala (2024)

Publish Date: February 22, 2024
"While it reveals a surprisingly feminist vision of contentment, spirituality and the social expectations women are forced to shoulder, the film seldom wrestles with its own convictions, or forces Pema to do the same"

Variety
The Great Yawn (2024)

Publish Date: February 22, 2024
"A tale that's as mysterious and melancholy as it is wryly funny (...) The film is sold first and foremost by its precise performances"

Variety
Spaceman (2024)

Publish Date: February 20, 2024
"Aesthetically accomplished, but emotionally dull and philosophically banal, Spaceman is a science- fiction misfire"

IGN
Shikun (2024)

Publish Date: February 19, 2024
"Despite its refreshing political outlook, 'Shikun' is anything but radical in execution, and it’s rarely interesting to watch"

Variety
Ordinary Angels (2024)

Publish Date: February 19, 2024
"In the end, simple, straightforward sentimentality saves the day"

The Daily Beast
Dying (2024)

Publish Date: February 17, 2024
"Every leading performance is as impeccable as the last. However, Glasner’s formal rigidity prevents their stories from feeling intrinsically bound, leaving each of them with little to say."

Variety
The Fable (2024)

Publish Date: February 17, 2024
"That this grim reality is so ferociously recalled by an ostensible fairytale is the source of 'The Fable's' irrepressible power (...) It is, in effect, a new and necessary way of seeing oneself, one's childhood, one's home"

Variety
The Adamant Girl (2024)

Publish Date: February 16, 2024
"Farcical and viscerally upsetting in equal measure, 'Kottukkaali' masterfully exposes the nature of superstition by zeroing in on gendered expectations"

Variety
Turn in the Wound (2024)

Publish Date: February 15, 2024
"Abel Ferrara interweaves poetry and war in mostly successful digital doc"

Variety
Bob Marley: One Love (2024)

Publish Date: February 14, 2024
"Despite hinting at political unrest in its backdrop, the film defangs a distinctly political figure, reducing him to a 'coexist' bumper sticker"

Mashable

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