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Lili Loofbourow

Lili Loofbourow

Film Critic

The Jinx: Part 2 (TV Miniseries) (2024)

Publish Date: April 21, 2024
"Raw footage of Robert Durst's trial is frequently more dramatic —and engaging— than the polished documentary Jarecki and Smerling cobbled together without him in an attempt to reclaim the case they blew wide open"

The Washington Post
Ripley (TV Miniseries) (2024)

Publish Date: April 3, 2024
"A gorgeous, witty, cinematic extravaganza (...) Despite —or perhaps because of— Andrew Scott's magnificent erasure of his own charisma, 'Ripley' is mordantly funny"

The Washington Post
Jerrod (2024)

Publish Date: March 31, 2024
"Carmichael's buoyancy and openness save the show from feeling dour or hopeless. So do his friends and lovers. And relatives"

The Washington Post
In Restless Dreams: The Music of Paul Simon (2023)

Publish Date: March 20, 2024
"Rarely does a show with multiple protagonists —and timelines— handle the challenge well. '3 Body Problem' manages it with apparent ease"

The Washington Post
The Girls on the Bus (TV Series) (2024)

Publish Date: March 14, 2024
"What the series lacks in moral seriousness it compensates for by gamely and sometimes even rigorously investigating the mechanics of fallibility"

The Washington Post
Elsbeth (TV Series) (2024)

Publish Date: February 28, 2024
"A well-executed, frothy delight"

The Washington Post
The New Look (TV Series) (2024)

Publish Date: February 13, 2024
"'The New Look' isn't as new as one might wish"

The Washington Post
Feud: Capote vs. The Swans (TV Miniseries) (2024)

Publish Date: January 30, 2024
"Relieved though I am that Swans steers clear of postmortem hagiography, this excavation into how some gossipy friends turned on one another is juicy but a tad forgettable"

The Washington Post
Money Heist: Berlín (TV Series) (2023)

Publish Date: December 28, 2023
"The spinoff tries without success to repeat an old formula with a charming but amoral protagonist (...) the new show can’t even generate suspense."

The Washington Post
A Murder at the End of the World (TV Miniseries) (2023)

Publish Date: November 12, 2023
"[It] holds its own —all while enacting some heart-rending correctives to the genre's bloodthirsty tendencies"

The Washington Post
The Gilded Age (TV Series) (2022)

Publish Date: October 26, 2023
"[2nd Season Review]: [It] finds its footing in a soapy second season (...) 'The Gilded Age' accepts the Russells as its heroes and lets its other stories breathe"

The Washington Post
Fellow Travelers (TV Miniseries) (2023)

Publish Date: October 25, 2023
"A steamy saga about bittersweet love"

The Washington Post
The Fall of the House of Usher (TV Miniseries) (2023)

Publish Date: October 10, 2023
"A morbidly entertaining ride that winks at least as much as it instructs"

The Washington Post
American Horror Story: Delicate (TV Miniseries) (2023)

Publish Date: October 3, 2023
"Kim Kardashian plays a version of herself to amusing —and disturbing— effect"

The Washington Post
Reservation Dogs (TV Series) (2021)

Publish Date: August 1, 2023
"[3rd Season Review]: This impulse to decenter heroes and destabilize epiphanies is what elevates 'Reservation Dogs' and makes it one of the best dramedies around"

The Washington Post
Dark Winds (TV Series) (2022)

Publish Date: July 30, 2023
"[2nd Season Review]: It hits a bit of a sophomore slump, but McClarnon remains much the best thing in it"

The Washington Post
And Just Like That... (TV Series) (2021)

Publish Date: June 20, 2023
"[2nd Season Review]: still doesn’t know what it’s looking for"

The Washington Post
Black Mirror: Joan is Awful (TV) (2023)

Publish Date: June 14, 2023
"It’s a fun premise that could have used a slightly less hand-wavy resolution. But the point is, it’s funny"

The Washington Post
John Mulaney: Baby J (TV) (2023)

Publish Date: April 25, 2023
"The comedian's special, 'John Mulaney: Baby J', promised to be a raw look at his demons. It's hilarious, but it's not that"

The Washington Post
Lucky Hank (TV Series) (2023)

Publish Date: March 19, 2023
"'Lucky Hank' works because a lot of its people feel real despite the antic setups and mannered voice-overs"

The Washington Post

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