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Andy Crump

Film Critic

United States

Riddle of Fire (2023)

Publish Date: March 21, 2024
"The aesthetic achieved in the movie evokes childhood while dispensing with arrested referentialism"

Paste Magazine
Glitter & Doom (2023)

Publish Date: March 7, 2024
"A movie where nothing happens of lasting consequence is an indulgence too far"

Paste Magazine
Inside the Yellow Cocoon Shell (2023)

Publish Date: January 18, 2024
"It's a journey jammed with pleasures we can all appreciate, and canopied by questions we all ask"

Paste Magazine
Freud’s Last Session (2023)

Publish Date: December 21, 2023
"'Freud's Last Session' milks a thought exercise until it curdles"

Paste Magazine
Metalocalypse: Army of the Doomstar (2023)

Publish Date: August 23, 2023
"If it’s hard to be a rock god, then it’s even harder to be a metal fan tasked with finding love, warmth, and empathy in a genre popularly and unjustly seen as lacking all of the above. That Small handily succeeds...is a black metal miracle"

Paste Magazine
Aporia (2023)

Publish Date: August 10, 2023
"The film does what good science fiction is supposed to, forcing viewers to bring the future conundrums it raises to their present"

Paste Magazine
Bird Box Barcelona (2023)

Publish Date: July 12, 2023
"The film’s admirable attempts at preserving its enigmas (...) offer an experience unique from Bier’s work with Bullock. But its lack of grit and prevailing aversion to the gruesome realities of its own premise are a drag on the details that click"

Paste Magazine
The League (2023)

Publish Date: July 5, 2023
"For all of ['The League']'s academic value, it's endlessly, almost effortlessly engaging"

Paste Magazine
Maggie Moore(s) (2023)

Publish Date: June 14, 2023
"There's nothing wrong with a messy low-level crime movie done right"

Paste Magazine
Dalíland (2022)

Publish Date: June 7, 2023
"Entirely unsatisfying and, frankly, normal"

Paste Magazine
Padre Pio (2022)

Publish Date: June 5, 2023
"So much of the film is precisely the opposite [of watchable] (...) Ugly to the point of offending the eyes"

Paste Magazine
The Wrath of Becky (2023)

Publish Date: May 22, 2023
"Wilson's screen presence has expanded greatly and her physicality matches her up well against Scott's straight-faced intimidation"

Paste Magazine
Unwelcome (2022)

Publish Date: March 9, 2023
"[Hannah's] work in 'Unwelcome' is one of its two best features. The other is the effects work put into the Red Caps (...) The result is pleasing"

Paste Magazine
Unicorn Wars (2022)

Publish Date: March 7, 2023
"The fluidity in their craftsmanship is equally as impressive as Vázquez’s talent for Trojan Horsing metaphors about the human condition into a movie about teddy bears knifing unicorns and unicorns goring teddy bears"

Paste Magazine
Bruiser (2022)

Publish Date: February 26, 2023
"['Bruiser']'s modern black american tragedy leaves a mark"

Paste Magazine
Emily (2022)

Publish Date: February 15, 2023
"Filmmakers like O’Connor wish to honor their subjects instead of idly speculating. 'Emily' performs that complicated maneuver with casual ease, proving that for the right kind of movies, actors make the best kind of directors"

Paste Magazine
Life Upside-Down (2023)

Publish Date: January 26, 2023
"'Life Upside Down' is a clunky, graceless movie, but it's utterly engrossing as a stage for letting Odenkirk, Mitchell, Huston and the rest vent their own stir craziness"

Paste Magazine
In My Mother's Skin (2023)

Publish Date: January 23, 2023
"Dagatan's eye for gnarly practical and CG effects is buttressed by solid visual sensibilities, occasionally hamstrung by stray washed-out nighttime sequences, and wicked morality"

The Playlist
Kids vs. Aliens (2022)

Publish Date: January 18, 2023
"'Kids vs. Aliens' is a harmless trifle. A filmmaker with this many years under their belt should have more to show for themselves than that"

Paste Magazine
There's Something Wrong with the Children (2023)

Publish Date: January 15, 2023
"This dynamic works. The only element that brings the movie down is The Gifted’s score (...) But Benjamin keeps the audience’s focus where it belongs"

Paste Magazine

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