Bill Stamets

"[A] spellbinding essay film (...) Salles deconstructs with empathy the act of shooting."  

"An intriguing variant on the usual tale of writer's block."  

"Konchalovsky more recently directed 'The Nutcracker in 3D' (...) That PG-rated film trivialized Auschwitz. 'Paradise' atones for that mistake."  

"Key action points are edited with finesse, but the denouement, with its dutiful hail of gunfire, is heartless and mechanical"  

"The heaving computer-generated sea swells doesn't match the conventionally animated characters. The action scenes are too antic, but directors Tim Johnson and Patrick Gilmore serve up a sweet romantic subplot."

"A sweet tale of a sad girl who moves to a new place and meets supernatural pals."

"Sounds like a soap opera. But Danish director Susanne Bier builds a high-minded melodrama from this plot material."

"'Belle Toujours' lets us peer at one master embroidering on the legacy of another master."

"An easy-viewing intro to a racy episode in art history."

"For its retro-futurist look alone, this outdated thriller set in 2054 Paris is worth seeing."

"The plot is as skimpy as their bikinis"

"[It's] faithful to Hollywood's legendary lack of originality."

"A paranoid thriller in the manner of Alfred Hitchcock."

"Robert Louis Stevenson's 'Treasure Island' becomes a rousing SF adventure"  

"The films are enchanting for their irony, their humanity, and their reflexiveness."  

"'Dhoom:3' entertains as a spectacle of chases (...) magic acts and song-and-dance numbers. (...) Rating: *** (out of 4)"  

"Auteurist Bela Tarr directs one of his weaker efforts, despite a catchy intro (...) Don't blame the horse."