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Hoai-Tran Bui

Film Critic

United States

His Dark Materials (TV Series) (2019)

Publish Date: November 27, 2022
"[3rd Season Review]: [it] is still an immaculately performed, visually stunning show"

SlashFilm
One Piece Film Red (2022)

Publish Date: November 2, 2022
"It has fun with itself, and that's its charm"

SlashFilm
Doctor Who: The Power of the Doctor (TV) (2022)

Publish Date: October 23, 2022
"A clunky writing, nonsensical plots, half-realized characters, and empty spectacle"

SlashFilm
Raymond & Ray (2022)

Publish Date: October 19, 2022
"It's a bafflingly dull road trip movie full of clunky expositional dialogue (...) Worst yet, it wastes the potential silver screen magic you could have by casting Hawke and McGregor"

SlashFilm
The School for Good and Evil (2022)

Publish Date: October 18, 2022
"[It] is a fun family film, but when you pass the two-hour mark, that fun starts to wear thin"

SlashFilm
Return to Seoul (2022)

Publish Date: October 16, 2022
"The search for one's identity is never an easy one. 'Return to Seoul' understands that, and allows us to live in — and finally, accept — that uncertainty"

SlashFilm
She Said (2022)

Publish Date: October 12, 2022
"As a journalism movie, it just feels rote. As a biographical drama, it feels too early. And as a Me Too movie, it feels too quiet"

SlashFilm
Rosaline (2022)

Publish Date: October 10, 2022
"Rosaline" is the unfortunate result of when two men attempt to write a feminist retelling. The romantic comedy is painfully self-aware but rarely clever (...) Rating: **** (out of 10)"

SlashFilm
Till (2022)

Publish Date: October 1, 2022
"Chukwu's direction is assured and confident (...) The film won't be making history, but at least it makes the most of a historical moment that still resonates to this day"

SlashFilm
Hocus Pocus 2 (2022)

Publish Date: September 28, 2022
"'Hocus Pocus 2' can't help but feel like the shambling corpse of Billy Butcherson —still alive and kicking (and a lot sassier), but at what cost? (...) It deserved better"

SlashFilm
See How They Run (2022)

Publish Date: September 6, 2022
"It's fun, and frothy, and clever enough that it makes for an easygoing hour and a half watch"

SlashFilm
Don't Worry Darling (2022)

Publish Date: September 4, 2022
"[It] recycles a bunch of ideas and imagery from other films, which it attempts to imbue with a fresh, new sociopolitical angle. But it can't overcome its rather simplistic story and a disappointing reveal"

SlashFilm
The Sandman (TV Series) (2022)

Publish Date: August 4, 2022
"'The Sandman' has against all odds, hope. The show clearly has belief in itself and ambition to not only loyally adapt the comic but make key changes that streamline the story for TV"

SlashFilm
Easter Sunday (2022)

Publish Date: August 3, 2022
"Every joke in 'Easter Sunday' lands with a thud, every emotional beat falls flat. It has the sense of humor of a bad TikTok video"

SlashFilm
Luck (2022)

Publish Date: August 2, 2022
"'Luck' feels destined to gather dust in Apple TV+'s library"

SlashFilm
Fruits Basket: Prelude (2022)

Publish Date: July 19, 2022
"Props to Ibata and Kishimoto: they make a loyal adaptation of the story, which is basically ripped from the manga pages — but then again, it's hard to improve upon it. If only the rest of the film lived up to it."

SlashFilm
The Deer King: The Promised Journey With Yuna (2021)

Publish Date: July 14, 2022
"'The Deer King' gets bogged down by a convoluted plot and confusing world-building that even the most majestic of animated sequences (and they are truly gorgeous) can't enliven the film."

SlashFilm
The Gray Man (2022)

Publish Date: July 13, 2022
"A movie that's made to be half-watched on Netflix while scrolling on your phone. Its greatest disappointment is that it knows what it has — Gosling, a great cast, a lot of money — and it still ends up being less than the sum of its parts"

SlashFilm
Where the Crawdads Sing (2022)

Publish Date: July 11, 2022
"The film is a self-serious, but consciously aesthetically pleasing, adaptation of a, frankly, silly soap opera"

SlashFilm
Persuasion (2022)

Publish Date: July 7, 2022
"Johnson's Anne Elliot [is] a bundle of contradictions who embodies the film's confused tone. [She] is both relatable and not relatable at all —a rom-com heroine steeped in stereotype who fancies herself better than she is"

SlashFilm

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