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Gary Goldstein

Film Critic

United States

Remembering Gene Wilder (2023)

Publish Date: March 19, 2024
"An upbeat tribute to a singular movie star, and a worthy reminder of how much he's missed"

Los Angeles Times
Radical (2023)

Publish Date: November 3, 2023
"An authentically moving and involving crowd-pleaser"

Los Angeles Times
She Came to Me (2023)

Publish Date: October 5, 2023
"A mishmash of flimsy, fanciful and far-fetched notions dressed up as a screwball New York rom-com"

Los Angeles Times
La montagne (2022)

Publish Date: September 14, 2023
"A curiously compelling look at one man’s quiet obsession"

Los Angeles Times
You Are SO Not Invited to My Bat Mitzvah! (2023)

Publish Date: August 24, 2023
"A sweet take on rites, fights and tween drama"

Los Angeles Times
Strays (2023)

Publish Date: August 20, 2023
"An at times heartfelt and enjoyably observed story that may hold interest with more patient viewers but, due to some episodic scene work and slack pacing, leave others restless"

Los Angeles Times
In the Company of Rose (2022)

Publish Date: June 27, 2023
"Rose Styron makes for excellent company, indeed. And if this engaging film whets your appetite for an even more encompassing look at this inspiring woman, her recently released memoir may be just the thing"

Los Angeles Times
The Last Rider (2022)

Publish Date: June 22, 2023
"If 'The Last Rider' may prove a bit hyper-focused for the less initiated viewer, sports and pro cycling enthusiasts should find it an inspiring and transporting journey"

Los Angeles Times
Mending the Line (2022)

Publish Date: June 7, 2023
"'Mend the Line' casts a familiar but effective story about remedy and redemption"

Los Angeles Times
White Balls on Walls (2022)

Publish Date: May 31, 2023
"Kudos to the Stedelijk for opening itself up to such firsthand scrutiny and to Vos for spotlighting such a vastly relevant topic in a way that’s both insightful and entertaining"

Los Angeles Times
About My Father (2023)

Publish Date: May 24, 2023
"This at times absurdly contrived film often resembles something made up on the fly"

Los Angeles Times
It's Quieter in the Twilight (2022)

Publish Date: May 18, 2023
"'It's Quieter in the Twilight' is sometimes too quiet (...) The doc is more successful when it reminds us of the dazzling scope of the Voyager mission"

Los Angeles Times
What's Love Got to Do with It? (2022)

Publish Date: May 2, 2023
"Though you know where writer-producer Jemima Khan’s script is headed a hemisphere away, this is a sweet and sensitive journey anchored by a captivating pair of lead performances"

Los Angeles Times
Ghosting (2023)

Publish Date: April 20, 2023
"Chris Evans and Ana de Armas rely on chemistry in the silly yet amusing 'Ghosted' (...) Still, the whole enterprise is far-fetched"

Los Angeles Times
Somewhere in Queens (2022)

Publish Date: April 19, 2023
"This goodhearted if at times misguided version may suffice for its often amusing and touching moments and as a reminder of Romano's everyman skill in front of a camera"

Los Angeles Times
A Good Person (2023)

Publish Date: March 22, 2023
"It's a haunting slice of real life that will make you think, feel and maybe even want to reach out to your loved ones. As the film vividly shows, they can be gone in a flash"

Los Angeles Times
Moving On (2022)

Publish Date: March 14, 2023
"Fonda and Tomlin are once again perfectly matched in 'Moving On' (...) The film engagingly shows that, whatever one's age, if you can find a way to reconcile the past, the future may prove brighter than you ever imagined"

Los Angeles Times
The Magic Flute (2022)

Publish Date: March 8, 2023
"It has much to recommend and is a worthy, well-performed, often stirring and dazzling take on an enduring masterwork"

Los Angeles Times
Blueback (2022)

Publish Date: March 1, 2023
"Natural beauty and a touching ecological tale center the female-forward 'Blueback'"

Los Angeles Times
Juniper (2021)

Publish Date: February 23, 2023
"Saville too often skims the surfaces of his characters, substituting traumatic concepts and plot devices for narrative logic and truly authentic, compelling emotion"

Los Angeles Times

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