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Andy Webster

Film Critic

United States

Metalhead (2013)

Publish Date: March 18, 2021
"It taps into something universal, and very precious, about loss, art and adolescent rebellion."

The New York Times
Along with the Gods: The Two Worlds (2017)

Publish Date: December 20, 2017
"A harmless romp flirting at profundity without coming close (...) Story clarity and emotional depth tend to evaporate amid the visual pyrotechnics."

The New York Times
Soufra (2017)

Publish Date: December 13, 2017
"A stirring tale of empowerment, the documentary 'Soufra' shows how societal change can begin with small steps."

The New York Times
Big Time (2017)

Publish Date: November 29, 2017
"Cool and competent (...) Clearly, the architect and the filmmaker are tight, which does not entirely benefit 'Big Time'."

The New York Times
I Remember You (2017)

Publish Date: November 8, 2017
"[It] transcends genre pyrotechnics even as it incorporates elements of Nordic noir (...) [Axelsson] minimizes the gore, piercing the soul with mood and compelling human conflict"

The New York Times
Hello Again (2017)

Publish Date: November 6, 2017
"LaChiusa’s songs largely fail to resonate here. Dramatic traction suffers, probably as a result of the many, and diffuse, vignettes. And yet this is a commendably audacious effort by Mr. Gustafson"

The New York Times
Bill Nye: Science Guy (2017)

Publish Date: October 25, 2017
"Delightful, revealing"

The New York Times
The Osiris Child (2016)

Publish Date: October 4, 2017
"There is little Mr. Abbess (...) won’t toss into this delirious, overheated stew. At times he overreaches. But he cherishes his actors (...) and his bravado has a bracing vigor."

The New York Times
Literally, Right Before Aaron (2017)

Publish Date: September 27, 2017
"To its credit, it offers top-notch supporting talent (...) The problem here is Mr. Long’s Adam, a twitchy knot of tics and self-pity. He invites our sympathy (...) but doesn’t really deserve it."

The New York Times
The Untold Tales of Armistead Maupin (2017)

Publish Date: September 27, 2017
"The film offers an enlightening glimpse into how the gay experience informed Mr. Maupin’s art (...) [Maupin] is warm and winning company."

The New York Times
Clive Davis: The Soundtrack of Our Lives (2017)

Publish Date: September 25, 2017
"Chris Perkel’s reverent documentary (...) is a valedictory for Mr. Davis"

The New York Times
Woodpeckers (2017)

Publish Date: September 13, 2017
"[An] arresting drama (...) [with] vivid textures and palpable vitality."

The New York Times
Wetlands (2017)

Publish Date: September 13, 2017
"Its atmosphere and intriguing performances will prove worthy of the outing (...) But as cinematic excursions go (...) [it] is more deserving of a day trip than a long-term stay."

The New York Times
The Farthest (2017)

Publish Date: August 9, 2017
"A dazzling documentary (...) The accounts of scientists, whose enthusiasm still glows, is as wondrous as the technology seen here."

The New York Times
A Taxi Driver (2017)

Publish Date: August 9, 2017
"Most impressive is Mr. Song, who persuasively conveys a working stiff’s political awakening."

The New York Times
Armed Response (2017)

Publish Date: August 2, 2017
"The possibilities are intriguing, but the characters are underdrawn, and the pacing lags (...) [It] offers underwhelming gunplay and fisticuffs. And that prompts an indifferent response."

The New York Times
The Battleship Island (2017)

Publish Date: August 2, 2017
"Though Mr. Ryoo’s taste for heightened theatricality threatens his story’s credibility at times, there is no denying his skill with a large-scale action set piece."

The New York Times
Our Time Will Come (2017)

Publish Date: July 4, 2017
"With remarkable consistency, she has imbued her work with close observation, measured pacing and quiet gravity (...) Reaffirming Ms. Hui’s status as one of China’s cinematic treasures"

The New York Times
Score: A Film Music Documentary (2016)

Publish Date: June 14, 2017
"Tidy and informative"

The New York Times
Camera Obscura (2017)

Publish Date: June 7, 2017
"[It] has decent actors to flesh out its dubious premise (...) Nadja Bobyleva has an appealing range, and Catherine Curtin (...) ably portrays a skeptical police detective. But their diligent efforts cannot raise the whole enterprise above a mere exercise"

The New York Times

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