USA | UK

North America
- US
- Canada
- Mexico
Europe
- Spain
- UK
- Ireland
Oceania
- Australia

South America
- Argentina
- Chile
- Colombia
- Uruguay
- Paraguay
- Peru
- Ecuador
- Venezuela
- Costa Rica
- Honduras
- Guatemala
- Bolivia
- Dominican Rep.

More information

Click here to copy URL

Anthony Lane

United Kingdom

Ennio: The Maestro (2021)

Publish Date: February 4, 2024
"'Ennio' turns out to be overlong, overblown, and larded with such praises that Morricone, a modest if determined soul, would blush to hear them"

The New Yorker
Tótem (2023)

Publish Date: January 18, 2024
"The surprising thing about this film, given its potential for devastation, is how funny it can be"

The New Yorker
The Crime Is Mine (2023)

Publish Date: December 21, 2023
"Ozon, as ever, is not just having fun. He is also making mischief with the sexual politics of the plot"

The New Yorker
Anselm (2023)

Publish Date: December 7, 2023
"'Anselm' compels attention. We long-term Kiefer nerds may not learn much, but so what?"

The New Yorker
Maggie Moore(s) (2023)

Publish Date: June 15, 2023
"What Slattery conjures... for some reason, is a continual sourness and decay, which gets into every crevice of the action"

The New Yorker
Squaring the Circle (The Story of Hipgnosis) (2022)

Publish Date: June 1, 2023
"This is your chance to learn about the naked blond children clambering over rocks on the front of Led Zeppelin’s 'Houses of the Holy'"

The New Yorker
Chile '76 (2022)

Publish Date: May 4, 2023
"It's a hell of a performance from Küppenheim as the heroine, precisely because she demonstrates how hard it is to be heroic"

The New Yorker
Beau Is Afraid (2023)

Publish Date: April 16, 2023
"Beau Is Afraid gave me the unsettling feeling that, owing to some administrative error, I had stumbled upon an extended therapy session instead of a movie—looking on, or scarcely able to look, as the director digs deep into who knows what private funks."

The New Yorker
Everything Went Fine (2021)

Publish Date: April 13, 2023
"Every performance in 'Everything Went Fine' is nicely judged —too much so, I suspect, for many filmgoers, who will be praying for someone to explode. Yet the movie is anything but bland"

The New Yorker
Joyland (2022)

Publish Date: March 30, 2023
"Sadiq is not lecturing us or trading in types; he is taking us by sensory surprise, and the tale that he tells is funny, forward, and sometimes woundingly sad"

The New Yorker
What the Hell Happened to Blood, Sweat & Tears? (2023)

Publish Date: March 16, 2023
"More than it knows, this movie is an engaging, and sometimes enraging, exposé of chronic insularity"

The New Yorker
Godland (2022)

Publish Date: February 2, 2023
"One secret of this extraordinary film, and of its power to exhilarate: the shock of emotional vigor, arising from the continual rub of physical texture and effort"

The New Yorker
Corsage (2022)

Publish Date: December 22, 2022
What Kreutzer aims to impress upon us is the effect of smothering and constraint—not only upon her heroine but also upon the female sex, at every social stratum, under Habsburg rule

The New Yorker
The Good Boss (2021)

Publish Date: August 25, 2022
"'El buen patrón' pulls more weight than you'd expect, and Bardem is in charge of the pulling"

The New Yorker
Official Competition (2021)

Publish Date: June 16, 2022
"[The] comedy eschews easy laughs for something more intricate (...) What sets the film apart is its specificity: instead of attending to the action on and around a movie set, [they] focus on the enjoyable madness of rehearsals"

The New Yorker
The Outfit (2022)

Publish Date: March 17, 2022
"'The Outfit is made to measure for Mark Rylance (...) Graham Moore's crime drama has not a stitch out of place, but it rarely achieves the claustrophobic menace it aims for"

The New Yorker
A Hero (2021)

Publish Date: January 6, 2022
"Farhadi patiently cranks up the moral suspense until we can barely breathe"

The New Yorker
Azor (2021)

Publish Date: September 2, 2021
"What’s impressive is how coolly [Fontana] avoids the temptation to put on a big show, preferring more delicate tactics"

The New Yorker
Settlers (2021)

Publish Date: July 15, 2021
"'Settlers' has its problems, most of which are structural. Tense and firm at either end, it sags in the middle like a mattress. Also, the grownups are pretty dull and flat"

The New Yorker
The Dry (2020)

Publish Date: May 13, 2021
"[The plot] is not a model of elegance and plausibility (...) Yet the film has serious staying power"

The New Yorker

Cancel

Clear

Apply

Filters & Sorts

You can change filter options and sorts from here

Title Search Tab name Theaters

Search Tab name