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David D'Arcy

Film Critic

Amazing Grace (2018)

Publish Date: November 12, 2018
"It’s raw religion, and it’s a treasure (...) The film is almost all music, from beginning to end. And the music is what’s so special about 'Amazing Grace'."

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Angels Are Made of Light (2018)

Publish Date: September 3, 2018
"For viewers who adjust to its deliberately slow rhythms, the reward is a vivid portrait of daily life in Kabul and a rich look into childhood"

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Carmine Street Guitars (2018)

Publish Date: September 2, 2018
"Tender without sentimentality, the doc by Ron Mann is as absorbing as it is understated (...) Mann makes it easy to watch this guitar-maker at work"

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The Biggest Little Farm (2018)

Publish Date: August 31, 2018
"Chester approaches the eight years as a series of epiphanies, with radiant cinematography revealing it all (...) Most of those who’ll see 'The Biggest Little Farm' will be drawn by its ardent, gentle idealism"

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Jurassic World: Fallen Kingdom (2018)

Publish Date: June 4, 2018
"A roller coaster that you’ve ridden many times (...) Howard and Pratt are genre-solid in the leads"

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State Like Sleep (2018)

Publish Date: April 25, 2018
"[It] is unlikely to get viewers’ hearts racing. It will take more than the presence of Shannon, Waterston and Evans to fuel (...) this story"

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To Dust (2018)

Publish Date: April 24, 2018
"[It is] bawdy, and at moments, very funny (...) The physical mess of death becomes a set of comic props like any other"

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Little Woods (Crossing the Line) (2018)

Publish Date: April 23, 2018
"[It] is an x-ray of American ills"

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Diane (2018)

Publish Date: April 21, 2018
"[A] delicate narrative debut (...) [It] takes us to intimate moments of private anguish (...) A superb turn from lead actress Place"

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Zoe (2018)

Publish Date: April 21, 2018
"[McGregor and Seydoux] give tender performances, although there’s not much that’s new in the love story once you push the robotics aside."

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The Seagull (2018)

Publish Date: April 21, 2018
"Chekhov’s classic play (...) is solid and satisfying in Michael Mayer’s intimate retelling for the screen. Standouts in the ensemble cast are Annette Bening at the top of her game and [Saoirse Ronan]"

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Ghostbox Cowboy (2018)

Publish Date: April 19, 2018
"This culture clash plays more with delightful nuances than with big surprises, but David Zellner brings plenty of American innocence to the role (...) Stylish, comic and shameless"

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Here and Now (2018)

Publish Date: April 19, 2018
"It’s ambitious, and [Parker] hits some of the right notes, but much of it ends up off-key."

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Pacific Rim: Uprising (2018)

Publish Date: March 19, 2018
"Some of the most fun in 'Uprising' comes from its elder statesmen, holdovers from 'Pacific Rim' who play for laughs (...) On the tech side, global war is less poetic than in 'Pacific Rim'."

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1985 (2018)

Publish Date: March 9, 2018
"Yet with all the prejudice and pain, the film still feels a lot like a sermon (...) The acting in '1985' is like the script – stiff"

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Tully (2018)

Publish Date: January 25, 2018
"Theron will put to rest any doubts about her feel for comedy; the darker the better (...) Mackenzie Davis is radiant"

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Bitter Flowers (2017)

Publish Date: October 15, 2017
"A measured story of resigned adaptation (...) Qi Xi is an actress who can reveal intense emotions while hiding others"

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The Bold, the Corrupt, and the Beautiful (2017)

Publish Date: October 14, 2017
"The novelty here (...) is that women, for better or worse, run and ruin the show (...) Deft acting and sheer audacity take it beyond standard melodrama fare"

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Euphoria (2017)

Publish Date: September 11, 2017
"The notion of a suicide by the daughter of a mother who killed herself gives the story a special darkness (...) 'Euphoria' is about more than dying."

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Kissing Candice (2017)

Publish Date: September 11, 2017
"A script built more on image and atmosphere than on language (...) The director is fortunate to have a young actress like Skelly"

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