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Maggie Lee

United States

Ride or Die (2021)

Publish Date: April 13, 2021
"A glammed up, erotically-charged cocktail of amour fou and true romance"

Variety
True Mothers (2020)

Publish Date: September 19, 2020
"Naomi Kawase’s multi-perspective exploration of motherhood has social and dramatic interest, but is visually under-whelming."

Variety
The Dark and the Wicked (2020)

Publish Date: September 16, 2020
"Bertino has a knack for evoking suspense and menace just by having people stand at the doorway (...) It is their very 'normality' that connects the characters to audiences"

Variety
Under the Open Sky (2020)

Publish Date: September 15, 2020
"Ignited by the consummate performance of Koji Yakusho, this masterful human drama will weigh like a boulder on viewers’ consciences while likely collecting awards at home and abroad."

Variety
The Eight Hundred (2020)

Publish Date: August 25, 2020
"[It] offers an imposing (and demanding) mix of action and historical detail (...) [It] plunges audiences into both the intimacy and magnitude of brutal war spectacle"

Variety
Special Actors (2019)

Publish Date: August 9, 2020
"Mildly amusing japanese comedy no match for director’s 'One Cut of the Dead'"

Variety
I WeirDO (2020)

Publish Date: July 27, 2020
"The movie’s undiluted cuteness sometimes gets on one’s nerves, but the age-old message that love ails without change and tolerance is given such a fresh spin"

Variety
Romance Doll (2020)

Publish Date: July 14, 2020
"Although it’s underlying attitudes about female sexuality might be problematic for female and feminist viewers, its suggestive subject matter (...) will set many an imaginative mind sprinting"

Variety
Lupin III: The First (2019)

Publish Date: July 5, 2020
"This lavish, technically polished animated caper featuring the beloved gentleman thief of Japanese manga delivers high-octane entertainment but plays safe with the canon."

Variety
On-Gaku: Our Sound (2020)

Publish Date: June 24, 2020
"A fresh departure for Japanese animation — and a stairway to rockers' heaven."

Variety
Default (2018)

Publish Date: December 23, 2018
"[It] packs all the elements of a tense political thriller (...) The three storylines trace the rippling effect of the collapsing economy on different social strata, and how deeply they are connected to each other"

Variety
Baby (2018)

Publish Date: September 8, 2018
"A nuanced film examining the consequences of China’s one-child policy (...) [Liu Jie imbues] the gripping plot turns with gritty authenticity."

Variety
Detective Dee: The Four Heavenly Kings (2018)

Publish Date: July 25, 2018
"On the level of pure popcorn entertainment, there’s not a thing one can fault the 3D megabuster for"

Variety
The Pluto Moment (2018)

Publish Date: May 21, 2018
"This deceptively simple yet quietly revelatory drama features engaging characters and offers wryly ironic comments on the unpredictable nature of film production."

Variety
Manto (2018)

Publish Date: May 18, 2018
"This biopic of celebrated (...) Urdu short story writer Saadat Hasan Manto is stately, but too staid for his provocative writing (...) The film gushes with eloquence but also sounds verbose and stuffy."

Variety
Long Day's Journey Into Night (2018)

Publish Date: May 18, 2018
"A virtuoso long take (...) The film itself comes up short in substance"

Variety
The Spy Gone North (2018)

Publish Date: May 16, 2018
"This well-crafted work deserves to be seen for its thorough account of intricate workings of secret service and political skullduggery."

Variety
Sir (2018)

Publish Date: May 16, 2018
"[It] gains gravity for its insight into Indian social rigidities (...) The film evokes the protagonists’ love in a low-key but credible manner"

Variety
Ten Years Thailand (2018)

Publish Date: May 16, 2018
"Their stories sizzle with anger, resistance and martyrdom, which provokes instant empathy."

Variety
Asako I & II (2018)

Publish Date: May 14, 2018
"This is less ambitious and lacks the raw honesty or spellbinding intensity of [its predecessor] (...) Adapting a novel (...) what gets transferred to the screen becomes more like banal indecision."

Variety

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