Kitchen
Drama
As Gonzalo Castro himself says in the book Cine Argentino. Estéticas de la producción published by Bafici, the camera in his films is phonotropic: that is, it looks after the sound, more specifically the dialogue. Castro’s is a cinema that enthrones dialogue; a cinema that decides that to film is to film dialogue, and acts accordingly. Thus, there will be some cut where, according to cinematic orthodoxy, there shouldn’t be one: it’s all ... [+]