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Hernalsshort filmdocumentary

1967

Documentary In Hernals documentary and pseudo-documentary procedures were filmed simultaneously from two camera angles. The material was then divided into phases of movement and intercut together. The sound was doubled in the same way. Two realities, differently perceived according to the conditions of the film, were edited into one synthetic reality where everything is repeated. This doubling up destroys the postulate: identity of copy and image. ... [+]

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