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Drama M. is a common man, and we see his everyday life as he wonders through the city. But he’s also “a reactionary priest, a survivor of the right wing”, as David Oubiña properly described him –someone who is “rejected by everyone”. We can see him not as an individual or as psychologist, but as “a case that sheds light on contexts”, according to Cozarinsky himself. Although the film shares a spirit with other films of the so-called Argentine ... [+]
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