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Good Men, Good Women

Rating
6.8
176
Ratings
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Original title
Hao nan hao nu (Good Men, Good Women)
Year
Running time
108 min.
Country
Taiwan Taiwan
Director
Screenwriter
Cast
Music
Cinematography
Producer
Co-production Taiwan-Japan;
Genre
Drama | Film In Film
Movie Groups
Taiwan Trilogy
Synopsis
The final chapter of Hou Hsiao-Hsien's trilogy on Taiwanese history (that also includes A City of Sadness and The Puppetmaster), Good Men, Good Women provides a poignant, harrowing, and thematically complex portrait of postwar and contemporary Taiwan. By presenting the temporal confluence of three separate historically and personally relevant time periods, Hou not only reveals Liang's behavioral pattern of anonymous affairs, emotional isolation, and inner turmoil, but also parallels her self-destructive behavior with the national crisis of identity, hedonism, and cultural disconnection in contemporary Taiwan. In essence, Liang's betrayal of Ah Wei's memory is a modern day, personal manifestation of a national, historical event: the seemingly random persecution of Taiwanese people by their own government during the White Terror. Inevitably, like the nation, Liang is forced to reconcile with her own culpability and ignominious past in order to find closure and inner peace.
Awards
1995: Cannes Film Festival: Nominated for Palme d'Or (Best Film)
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User history
Good Men, Good Women
1995
Hou Hsiao-Hsien
6.8
(176)
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