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Scarlet

Drama. Romance Juliette grew up alone with her father Raphaël in the north of France. He is a veteran of the First World War. The girl, passionate about singing and music, meets a magician one summer who promises her that some scarlet sails will one day take her out of her town. Juliette never stopped believing in this prophecy.
Author Review
United StatesUnited States
Variety
Variety
"[It] isn’t quite a fairy tale, although it certainly feels like one at times (...) [It] is smaller, sweeter and more sensitive than Marcello’s earlier work"  POS
United KingdomUnited Kingdom
Screendaily
Screendaily
"This leisurely and affecting tale, which opens the Directors’ Fortnight in Cannes, is quietly rewarding thanks to an excellent cast whose faces we observe in frequent close-ups"  POS
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"Marcello’s methods can’t compensate for a plot that feels a little familiar, resorting to clichés instead of fresh ideas. It’s too bad because there are lots of great details on display, especially in the movie’s opening"  NEU
United StatesUnited States
The Wrap
The Wrap
"'L'envol' is a kind of very modern throwback. It's a bit of a mess, no doubt about that, but a fascinating one. While it may not reach the heights of Marcello's previous work, boy does it soar"  POS
United StatesUnited States
The Film Stage
The Film Stage
"A tender tribute to the imagination (...) With a work like 'L'envol', we are witnessing Marcello in a mercurial, mid-career stage, watching his sensibility truly take shape"  POS
United StatesUnited States
The Playlist
The Playlist
"The arresting visual competency can't salvage its muddled pace (...) This ambitious yet lukewarm exercise in magical realism amounting to a drearily frustrating watch"  NEU
United StatesUnited States
rogerebert.com
rogerebert.com
"The director, who got his start as a documentarian, is further refining a fiction-film style so odd that it's becoming endearing"  POS
United StatesUnited States
Paste Magazine
Paste Magazine
"As-is, 'L'envol' is a beautiful loll, content with its self-made magic"  POS
United StatesUnited States
Deadline
Deadline
"['L'envol']'s tonal shifts may not win over everyone, but if you roll with the changes, it's a decorative and entertaining watch that recalls everything from 'Jean de Florette' to 'The Princess Bride'"  NEU
United StatesUnited States
rogerebert.com
rogerebert.com
"The movie's stubborn insistence on going where inspiration takes it is fascinating (...) Rating: ★★★ (out of 4)"  POS
United StatesUnited States
Los Angeles Times
Los Angeles Times
"The world of 'Scarlet' is one of magical realism first and foremost, anyway, in which specificities fall away to give room for more enigmatic, unhurried charms"  POS
United StatesUnited States
Slant
Slant
"Having established such a textured, tangible world in its opening passages, 'L'envol' bafflingly spends its remainder breaking more and more from that richly established world (...) Rating: ★★½ (out of 4)"  NEU
United StatesUnited States
Chicago Reader
Chicago Reader
"More personal and less ambitious than his previous film, Pietro Marcello's 'L'envol' is a triumph"  POS
United StatesUnited States
The New York Times
The New York Times
"One of the attractions of 'L'envol' is that it doesn't fit obvious categorization, which means that you're not always sure where it's headed or why"  POS
Cineuropa
Cineuropa
"A very rich tableau on the power of imagination, touching on the human, the social, love, the craft of art, female emancipation, time and its wounds, the hopes of escaping the millstone of destiny condemning to eternal repetition"  POS
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