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Don't Breathe

Thriller. Horror A group of young burglars break into a blind man's home thinking they'll get away with the perfect crime. They're wrong.
Author Review
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"A perfectly executed thriller, whether you're scared of the dark or not"  POS
United StatesUnited States
IndieWire
IndieWire
"Equal parts 'Texas Chainsaw Massacre' and 'High Tension,' this elegant and surprisingly fast-paced blend of horror and suspense overcomes some of its more ridiculous ingredients thanks to endless invention"  POS
United StatesUnited States
Variety
Variety
"A muscular exercise in brutal, relentless peril that should please genre fans"  POS
United StatesUnited States
Rolling Stone
Rolling Stone
"Alvarez and cinematographer Pedro Luque use night-vision and every trick in the book and ones not invented yet to trap us (...) Claustrophobics, you've been warned (...) Rating: ★★★ (out of four)"  POS
United StatesUnited States
Miami Herald
Miami Herald
"You start out fearing 'Don’t Breathe,' but by the end you’re laughing at it — and the humor is not intentional (...) Rating: ★★ (out of four)"  NEU
United StatesUnited States
New York Post
New York Post
"Apart from its thin characters and occasional trite moments, as well as a silly attempt to set up a sequel, 'Don't Breathe' is just about perfect (...) Rating: ★★★ (out of four)"  POS
United KingdomUnited Kingdom
The Guardian
The Guardian
"'Don’t Breathe' is a master class in tension, and while its script could have been written on the back of an envelope, its editing and use of sound design is a triumph for film theorists (...) Rating: ★★★★ (out of five)"  POS
United StatesUnited States
The New York Times
The New York Times
"It will probably please fans of this simple genre with its solid suspense, murky lighting and 'gotcha!' scares."  POS
United StatesUnited States
The Playlist
The Playlist
"This is well crafted stuff, but similar to another expert at gore-filled tension, Alexandre Aja, the film falls down when dealing with tonal shifts and moral boundaries"  NEU
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